A war of songs : popular music and recent Russia-Ukraine relations /

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This multi-authored monograph consists of the sections: 'Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution, ' 'The Euromaidan's Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists'', 'Exposing...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Hansen, Arve (Autor), Rogatchevski, Andrei (Autor), Steinholt, Yngvar Bordewich (Autor), Wickström, David-Emil (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stuttgart, Germany : Ibidem-Verlag, [2019]
Colección:Soviet and post-Soviet politics and society ; 203.
Temas:
Popular music > Political aspects > Ukraine.
Popular music > Political aspects > Russia (Federation)
Musique populaire > Aspect politique > Ukraine.
Musique populaire > Aspect politique > Russie.
MUSIC > Instruction & Study > Theory.
International relations
Popular music > Political aspects
Ukraine > Relations > Russia (Federation)
Russia (Federation) > Relations > Ukraine.
Russia (Federation)
Ukraine
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro; Contents; List of Tables and Pictures; Quoted lyrics; Glossary; Abbreviations; Acknowledgements and Technicalities; Foreword; Introduction; 1 Pop Rock, Ethno-Chaos, Battle Drums and a Requiem: The Soundtrack of the Ukrainian Revolution; 1.1 Music and the History of Protests in Ukraine; 1.2 The Main Locations of Protest Music; 1.2.1 The 'Political' Camp; 1.2.2 The 'Apolitical' Camp; 1.2.3 The Anti-Maidan Camp; 1.2.4 Social Media; 1.3 The Five Phases of Euromaidan; 1.3.1 Rise up! (21
  • 19 November 2013); 1.3.2 Vitia, Goodbye! (30 November 2013
  • 15 January 2014)
  • 1.3.3 The Burning Tyre (16 January
  • 20 February 2014)1.3.4 There Swims a Duckling (21
  • 23 February 2014); 1.3.5 Warriors of Light (23 February 2014 and beyond); 1.4 Common Features and General Tendencies; 1.5 The Many Anthems of the Euromaidan; 1.6 The Power of Music; 2 Euromaidan's Aftermath and the Genre of Answer Song: A Musical Dialogue Between Antagonists?; 2.1 Responses to New Base Songs; 2.2 Reworkings of Old Base Songs; 2.3 Conclusion; 3 Exposing the Fault Lines Beneath the Kremlin's Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem
  • 3.1 A brief history of the Russian national anthem3.1.1 From "Gimn partii bol'shevikov" to "Rossiia sviashchennaia"
  • Melody and Lyrics; 3.1.2 An Inviting Target; 3.1.3 The Anthem's Fatherland and Presentist Utopia; 3.2 The Parodies; 3.2.1 Parody 1: The Veteran Dissident's Anthem; 3.2.2 Parody 2: The Russian Anthem as Religious ecoNOMism; 3.2.3 Parody 3: The Unofficial Anthem of the Russian Official; 3.2.4 Parody 4: Death to the Empire!; 3.2.5 Parody 5: The Verdict of the Singing Truck Driver; 3.2.6 Parody 6: Framing is Everything
  • The Sebastopol Apocryph
  • 3.2.7 Bonus Track: A Grain of Truth and the Ideology of Masturbation3.3 Conclusion; 4 'Lasha Tumbai', or 'Russia, Good-Bye'?
  • The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground; 4.1 Previous Research and Historical Context; 4.2 GreenJolly and the ESC in the Orange Revolution aftermath; 4.3 Dancing Russia Good-Bye
  • Verka Serdiuchka and the 2007 ESC; 4.4 We Don't Wanna Put In
  • The 2009 ESC in Moscow; 4.5 A Million Voices: Euromaidan's Impact on the ESC Stages; 4.6 1944 or 2014? Jamala and Crimea; 4.7 Celebrating Diversity with Iuliia Samoilova
  • The ESC in Kyiv 2017
  • 4.8 ConclusionConcluding Remarks and Possible Future Prospects; References; Bibliography; Filmography and music videos; Personal communication; Index

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