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A war of songs : popular music and recent Russia-Ukraine relations /
This multi-authored monograph consists of the sections: 'Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution, ' 'The Euromaidan's Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists'', 'Exposing...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Stuttgart, Germany :
Ibidem-Verlag,
[2019]
|
| Colección: | Soviet and post-Soviet politics and society ;
203. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hansen, Arve, |e author. | |
| 245 | 1 | 2 | |a A war of songs : |b popular music and recent Russia-Ukraine relations / |c Arve Hansen, Andrei Rogatachevski, Yngvar Steinholt, and David-Emil Wickström ; with a foreword by Artemy Troitsky. |
| 264 | 1 | |a Stuttgart, Germany : |b Ibidem-Verlag, |c [2019] | |
| 300 | |a 1 online resource (247 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Soviet and post-Soviet politics and society ; |v vol. 203 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Contents; List of Tables and Pictures; Quoted lyrics; Glossary; Abbreviations; Acknowledgements and Technicalities; Foreword; Introduction; 1 Pop Rock, Ethno-Chaos, Battle Drums and a Requiem: The Soundtrack of the Ukrainian Revolution; 1.1 Music and the History of Protests in Ukraine; 1.2 The Main Locations of Protest Music; 1.2.1 The 'Political' Camp; 1.2.2 The 'Apolitical' Camp; 1.2.3 The Anti-Maidan Camp; 1.2.4 Social Media; 1.3 The Five Phases of Euromaidan; 1.3.1 Rise up! (21 -- 19 November 2013); 1.3.2 Vitia, Goodbye! (30 November 2013 -- 15 January 2014) | |
| 505 | 8 | |a 1.3.3 The Burning Tyre (16 January -- 20 February 2014)1.3.4 There Swims a Duckling (21 -- 23 February 2014); 1.3.5 Warriors of Light (23 February 2014 and beyond); 1.4 Common Features and General Tendencies; 1.5 The Many Anthems of the Euromaidan; 1.6 The Power of Music; 2 Euromaidan's Aftermath and the Genre of Answer Song: A Musical Dialogue Between Antagonists?; 2.1 Responses to New Base Songs; 2.2 Reworkings of Old Base Songs; 2.3 Conclusion; 3 Exposing the Fault Lines Beneath the Kremlin's Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem | |
| 505 | 8 | |a 3.1 A brief history of the Russian national anthem3.1.1 From "Gimn partii bol'shevikov" to "Rossiia sviashchennaia" -- Melody and Lyrics; 3.1.2 An Inviting Target; 3.1.3 The Anthem's Fatherland and Presentist Utopia; 3.2 The Parodies; 3.2.1 Parody 1: The Veteran Dissident's Anthem; 3.2.2 Parody 2: The Russian Anthem as Religious ecoNOMism; 3.2.3 Parody 3: The Unofficial Anthem of the Russian Official; 3.2.4 Parody 4: Death to the Empire!; 3.2.5 Parody 5: The Verdict of the Singing Truck Driver; 3.2.6 Parody 6: Framing is Everything -- The Sebastopol Apocryph | |
| 505 | 8 | |a 3.2.7 Bonus Track: A Grain of Truth and the Ideology of Masturbation3.3 Conclusion; 4 'Lasha Tumbai', or 'Russia, Good-Bye'? -- The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground; 4.1 Previous Research and Historical Context; 4.2 GreenJolly and the ESC in the Orange Revolution aftermath; 4.3 Dancing Russia Good-Bye -- Verka Serdiuchka and the 2007 ESC; 4.4 We Don't Wanna Put In -- The 2009 ESC in Moscow; 4.5 A Million Voices: Euromaidan's Impact on the ESC Stages; 4.6 1944 or 2014? Jamala and Crimea; 4.7 Celebrating Diversity with Iuliia Samoilova -- The ESC in Kyiv 2017 | |
| 505 | 8 | |a 4.8 ConclusionConcluding Remarks and Possible Future Prospects; References; Bibliography; Filmography and music videos; Personal communication; Index | |
| 520 | |a This multi-authored monograph consists of the sections: 'Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution, ' 'The Euromaidan's Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists'', 'Exposing the Fault Lines beneath the Kremlin's Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem, ' and ''Lasha Tumbai', or 'Russia, Goodbye'' The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground.' | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Popular music |x Political aspects |z Ukraine. | |
| 650 | 0 | |a Popular music |x Political aspects |z Russia (Federation) | |
| 651 | 0 | |a Ukraine |x Relations |z Russia (Federation) | |
| 651 | 0 | |a Russia (Federation) |x Relations |z Ukraine. | |
| 650 | 6 | |a Musique populaire |x Aspect politique |z Ukraine. | |
| 650 | 6 | |a Musique populaire |x Aspect politique |z Russie. | |
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| 650 | 7 | |a Popular music |x Political aspects |2 fast | |
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| 700 | 1 | |a Rogatchevski, Andrei, |e author. | |
| 700 | 1 | |a Steinholt, Yngvar Bordewich, |e author. | |
| 700 | 1 | |a Wickström, David-Emil, |e author. | |
| 758 | |i has work: |a War of songs (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG9XwDCv89pX4c8q7MxDD3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Hansen, Arve. |t War of songs. |d Stuttgart, Germany : ibidem-Verlag, [2019] |z 3838211731 |w (OCoLC)1078886427 |
| 830 | 0 | |a Soviet and post-Soviet politics and society ; |v 203. | |
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