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190209s2019 mau o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCO
|d OCLCQ
|d LOA
|d OCLCF
|d OCLCO
|d K6U
|d OCLCQ
|d OCLCO
|d OCLCL
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|a 9789004393516
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|a 900439351X
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|a (OCoLC)1085167682
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|a DS832.7.A1
|b .T639 2019
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|a 305.8009520903
|2 23
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|a UAMI
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|a Toby, Ron P.
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|a Engaging the Other
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| 260 |
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|a Boston :
|b BRILL,
|c 2019.
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| 300 |
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|a 1 online resource (423 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Brill's Japanese Studies Library
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|a Print version record.
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|a Intro; Contents; Acknowledgements; A Word about Language; Figures; Introduction Between Engagement and Imagination; Chapter 1 Interlude: A Pair of Parables; Chapter 2 Mapping the Margins: The Ragged Edges of State and Nation; 1 Mapping Japan; 2 Where Was Early-Modern "Japan?"; 3 Reprise; 4 Taxonomic Boundaries; 5 Nishikawa Joken's "Japan"; 6 Terajima Ryōan and the Wakan sansai zue; 7 Hayashi Shihei and the "Three Countries"; 8 Margins and Maps; 9 Coda; Chapter 3 Imagining and Imaging "Anthropos"; 1 Imaging Difference at Home; 2 Brave New World: The Panopticon of Peoples in the Myriad Realms
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|a 3 The Encyclopedic Vision: Articulate Selves and Typed Others4 Toward a Visual Ethnography of a Myriad Lands; Chapter 4 Indianizing Iberia/Performing Portugal: Responses to the Iberian Irruption; 1 Implicit Others and Manifest Men of Inde; 2 Setting the Stage; 3 Alter Others: Koreans, Okinawans, and Chinese in the Japanese Text; 4 The Invasive Other: Fear of Foreigners and the Changing Iconographic Field; 5 Performative Possibilities in the Age of Encounter; 6 Disengagement and Code-Switching; Chapter 5 Parades of Difference/Parades of Power; 1 Parade Diplomacy
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|a 2 Watching the Watchers: Intersecting Gazes in Procession and Parade3 Edo Culture as Parade; 4 Alien Parades; 5 The Internal Structure of an "Alien Parade"; 6 A Documentary Painting Is Not a Sketch; 7 Parade in Review; 8 How to Wrap a Parade; 9 Why Wrap an Alien?; 10 How to Watch a Diplomatic Parade; 11 "'Festival Chinamen' Are More Convincing 'Chinamen'"; 12 Parade-Watching as Festival; 13 The Spectator's Condition; 14 The Well-Tempered Spectator; 15 Watching the Spectators; 16 Seeing and Showing; 17 Four Lines of Sight
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|a Chapter 6 The Birth of the Hairy Barbarian: Ethnic Slur as Cultural Marker1 Initial Encounters and Radical Others; 2 The First Hairy Barbarians; 3 With a Flick of the Razor; 4 Bearded Boundaries; 5 Coxinga's Pate/Chinese Bodies/Tatar Hair; 6 Playing the Hairy Barbarian; 7 Envisioning Hair; 8 Tying Up Loose Ends; Chapter 7 The Mountain That Needs No Interpreter: Mt. Fuji and the Foreign; 1 National Symbols, Found and Made; 2 The Rise of Mt. Fuji; 3 On a Clear Day You Can See Forever: Mt. Fuji and the Ambit of the Gods; 4 Universal Mt. Fuji as "Scientific" Truth; 5 Mt. Fuji's Growing Reach
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|a 6 If the Mountain Won't Come ... : Drawing the Other to Japan7 Preserve and Protect; 8 Kiyomasa Redux; 9 Conclusion; Epilogue Antiphonals of Identity; 1 One Costume/Many Scripts; 2 Capturing "Korea"; Bibliography; Index
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 650 |
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0 |
|a Noncitizens
|z Japan
|x History.
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| 650 |
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|a National characteristics, Japanese
|x History.
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| 651 |
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|a Japan
|x Ethnic relations
|x History.
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| 650 |
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6 |
|a Japonais
|x Histoire.
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| 650 |
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7 |
|a Ethnic relations
|2 fast
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| 650 |
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|a National characteristics, Japanese
|2 fast
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| 650 |
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|a Noncitizens
|2 fast
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| 651 |
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|a Japan
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq
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| 655 |
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|a History
|2 fast
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| 758 |
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|i has work:
|a Engaging the other (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFRpHkWwVTDmmBxPGcm8G3
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
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|i Print version:
|a Toby, Ron P.
|t Engaging the Other: 'Japan' and Its Alter-Egos, 1550-1850.
|d Boston : BRILL, ©2019
|z 9789004390621
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| 830 |
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|a Brill's Japanese studies library.
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| 856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5652207
|z Texto completo
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| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5652207
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| 994 |
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|a 92
|b IZTAP
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