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Maarten Van Heemskerck's Rome : Antiquity, Memory, and the Cult of Ruins.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Boston :
BRILL,
2019.
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| Colección: | Brill's Studies on Art, Art History, and Intellectual History Ser.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro; Contents; Preface and Acknowledgments; Illustrations; Introduction; Maarten van Heemskerck's Rome; Drawings in Berlin and Scattered to the Four Winds; The Historicized Van Heemskerck and Karel Van Mander's Schilder-Boeck; Van Heemskerck's Drawings and Memory; Van Heemskerck and the Cult of Ruins; Part 1 Imagining the Eternal: Maarten van Heemskerck Before Rome; Introduction; Chapter 1 The Possibility of a pre-Roman Maarten van Heemskerck; Collection, Invention, and Netherlandish Antiquity c. 1510-25; The Status of the Ruin in Netherlandish Visual Culture c. 1510-25
- The Roman Journey's Status in the Netherlands and Van Heemskerck's Road to the Eternal CityChapter 2 he Ruin Landscape in Jan van Scorel's orkshop; Prototype, Imitation, Emulation, Invention; Van Scorel, Van Heemskerck, and the Ruin; Leaving Van Scorel's Workshop: Landscape and the Wanderjahr Drawing; Part 2 Drawing the Eternal: Van Heemskerck in Rome; Introduction; Chapter 3 Drawing Ruins in Post-Sack Rome; Rome's Post-Sack Milieu; Drawing, Collecting, and the 'Chaos of Memory'; Ruins in Post-Sack Rome; Raphael and Van Heemskerck's Ruinscapes; Charles V's Triumphal Procession
- Chapter 4 Memory and Maarten van Heemskerck's Eternal EyeDiscovering the Vestiges of Ancient Rome in the Frame; The Compelling Space and the Epochal Time of Van Heemskerck's Ruinscapes; Artistry and Roman Topography as Memory; Chapter 5 The Copious Hand; An Abundant Technique; Van Heemskerck's Pre-Roman Technical Inheritance: Pen and Ink Hatching, Netherlandish Realism; Towards Finish: The Flexibility of Van Heemskerck's Pen and Ink Process; Ink Washes, Chalk, Texture: Performance; Mimesis, Performance, and Function; Part 3 Remembering the Eternal: Van Heemskerck After Rome; Introduction
- Chapter 6 Invention, Collecting, AntiquarianismReinventing Rome: Panorama with the Abduction of Helen Amidst the Wonders of the World; Memory and Invention After Rome: Van Heemskerck's Drawings in the Netherlands; Van Heemskerck's Inventions After the Antique: Means and Modes; In Reminiscor: Reading the Ruins; Chapter 7 Antiquity in 1553: Ruins and Self-Fashioning; A Summa of the Self; Coming of Age: The Signature Ruin and Netherlandish Antiquarianism; Van Heemskerck's Drawings and Hieronymus Cock's Præcipua aliquot Romanae Antiquitatis Ruinarum
- Self-Portrait before the Colosseum's Antiquarian AudienceChapter 8 Regnum, Reform, and Ruin; Van Heemskerck and the Destruction of Art in the 'Age of Art'; Before the Beeldenstorm, After the Antique; 1569: The Rhetoric of Ruination; Epilogue; After Van Heemskerck, After the Antique: A Continuum of Pictorial Memory; Part 4 A Catalog of Maarten van Heemskerck's Roman Ruin Drawings; A Note on the Catalog; In and Around the Forum; Forum Romanum; Capitoline Hill; Palatine Hill; Arch of Titus; Colosseum; Arch of Constantine; Septizonium; Forum Nervae; On the Quirinal Hill; Frontespizio di Nerone