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Antipodean Perspective : Selected Writings of Bernard Smith.
Bernard Smith (1916-2011) was unquestionably one of Australia's greatest humanist scholars and its finest art historian. His European Vision and the South Pacific, 1768-1850 (1960) was a foundational text of post-colonialism, and in Australian Painting (1962) he set out the definitive history o...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
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Melbourne :
Monash University Publishing,
2018.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro; Title Page; Copyright; Contents; Introduction; 1. Place, Taste and Tradition: A Study of Australian Art since 1788 (1945); 'Impressionism in Australia' (1945); 2. 'The Art Museum Today' (1946); 'The Social Role of the Art Museum' (1946); 'The Art Museum and Public Accountability' (1985); 3. 'The Fascist Mentality in Australian Art and Criticism' (1946); 'The Fascist Mentality in Australian Art and Criticism' (1946); 4. 'The Antipodean Manifesto' (1959); 'The Antipodean Manifesto' (1959); 5. European Vision and the South Pacific, 1765-1850 (1960); 'The First Fleet Artists' (1960)
- 6. European Vision and the South Pacific, 1765-1850 (1960)'The Australian Landscape, 1821-35, "The Bivouac Situation"' (1960); 7. European Vision and the South Pacific: 1768-1850 (1960); 'John Glover in Arcadia' (1960); 8. Australian Painting Today (1961); 'The Myth of Isolation' (1961); 9. Australian Painting 1788-1960 (1962); 'Acknowledgements' (1962); 10. 'Great Display of Recent British Sculpture' (1963) and Address Given at the Second Mildura Sculpture Exhibition (1964); 'Great Display of Recent British Sculpture' (1963)
- Address given at the opening of the second Mildura Sculpture Exhibition, 18 April 196411. Arts Vietnam Exhibition Opening Speech (1968); Smith's Speech (1968); 12. Documents on Art and Taste 1770-1914 (1975); Selections from Documents on Art and Taste in Australia 1770-1914 (1975); 13. Art as Information: Reflections on the Art from Captain Cook's Voyages (1979); 'On the Art of Cook's Voyages' (1979); 14. The Spectre of Truganini (1980); 'On the Frontiers Within' (1980); 15. 'William Hodges and English Plein-Air Painting' (1983); 'William Hodges and English Plein-Air Painting' (1983)
- 16. The Boy Adeodatus (1984)'The Enclosed Garden' (1984); 17. 'Marx and Aesthetic Value' (1986); 'Marx and Aesthetic Value' (1986); 18. 'Australian Art in England' (1989); 'Australian Art in England' (1989); 19. Imagining the Pacific: In the Wake of the Cook Voyages (1992); 'On the Topographic Artists' (1992); 20. Noel Counihan: Artist and Revolutionary (1993); 'War, Tuberculosis and Modernism' (1983); 21. 'Preface' to M.E. McGuire, All Things Opposite (1995); 'Preface', All Things Opposite: Essays on Australian Art (1995); 22. Modernism's History (1998)
- From 'Introduction' and 'Conclusion' (1998)23. 'In Defence of Art History' (2000); 'In Defence of Art History', Part I (2000); 'In Defence of Art History', Part II (2000); 24. 'Ernst Gombrich 1909-2001' (2001-02); 'Ernst Gombrich, 1909-2001' (2001-2002); 25. A Distant Relationship; Contributors' Biographies; List of Selected Texts and Acknowledgements; Index