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Performance Analysis : a Bridge Between Theory and Interpretation.
This collection of essays highlights different questions concerning music theory, interpretation, and performance. Organized into four chapters, the first section looks into interpretation from a hermeneutic perspective, whereas the second analyses the application of this knowledge in musical practi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle-upon-Tyne :
Cambridge Scholars Publishing,
2019.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Soveral, Madalena. | |
| 245 | 1 | 0 | |a Performance Analysis : |b a Bridge Between Theory and Interpretation. |
| 260 | |a Newcastle-upon-Tyne : |b Cambridge Scholars Publishing, |c 2019. | ||
| 300 | |a 1 online resource (353 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Table of Contents; Preface; Chapter One; Musical interpretation; Hermeneutics of the Cantigas; On Judas (2002) for Choir and Orchestra; Imagination play in hermeneutical re-creation; How to (per)form the incomparable; Chapter Two; The Score Array; Alban Berg's Piano Sonata op. 1; Franz Liszt, Aux Cypres de la Villa d'Este; The Performer as a Musicologist; Artur Schnabel and the harmonic functions; Schonberg, Sechs kleine Klavierstucke, No. 6; Chapter Three; Artistic Research; Tell yourself it's a waltz; Kinesics analysis in the investigation of emotional expression in music performance | |
| 505 | 8 | |a Acoustic space as a vital criterion of performance (analysis)Chapter Four; An outline of the ontology of Musical Performance; Performance and music creation; Cross-cultural determinants of music interpretation; The decline of the Performer; Notes on Contributors; Illustrations; Tables; Index | |
| 520 | |a This collection of essays highlights different questions concerning music theory, interpretation, and performance. Organized into four chapters, the first section looks into interpretation from a hermeneutic perspective, whereas the second analyses the application of this knowledge in musical practice. The discussion turns, in the third part, to a new field of music theory broadly labelled as performance studies. Focused on physical and psychological events, this section broaches fundamental issues such as gesture, bodily movement, expression, emotion, a whole set of processes that act within. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Music |x Performance. | |
| 650 | 6 | |a Musique |x Exécution. | |
| 650 | 7 | |a Music |x Performance |2 fast | |
| 700 | 1 | |a Zurletti, Sara. | |
| 758 | |i has work: |a Performance analysis (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGMwr7fBK8x9Ftgvt8XmVC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Soveral, Madalena. |t Performance Analysis : A Bridge Between Theory and Interpretation. |d Newcastle-upon-Tyne : Cambridge Scholars Publishing, ©2019 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5615268 |z Texto completo |
| 938 | |a eLibro |b ELBO |n ELB119479 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH35777983 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5615268 | ||
| 938 | |a YBP Library Services |b YANK |n 15901339 | ||
| 994 | |a 92 |b IZTAP | ||