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Roads, mobility, and violence in indigenous literature and art from North America /

"Roads, Mobility, and Violence in Indigenous Literature and Art from North America explores mobility, spatialized violence, and geographies of activism in a diverse archive of literary and visual art by Indigenous authors and artists. Building on Raymond Williams's observation that "t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rymhs, Deena, 1975- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Routledge, 2019.
Colección:Routledge Studies in World Literatures and the Environment Ser.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Rymhs, Deena,  |d 1975-  |e author. 
245 1 0 |a Roads, mobility, and violence in indigenous literature and art from North America /  |c Deena Rymhs. 
264 1 |a New York, NY :  |b Routledge,  |c 2019. 
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490 1 |a Routledge Studies in World Literatures and the Environment Ser. 
520 |a "Roads, Mobility, and Violence in Indigenous Literature and Art from North America explores mobility, spatialized violence, and geographies of activism in a diverse archive of literary and visual art by Indigenous authors and artists. Building on Raymond Williams's observation that "traffic is not only a technique; it is a form of consciousness and a form of social relations," this book pulls into focus racial, sexual, and environmental violence localized around roads. Reading this archive of texts next to lived struggles over spatial justice, Rymhs argues that roads are spaces of complex signification. For many Indigenous communities, the road has not often been so open. Recent Indigenous writing and visual art explores this tension between mobility and confinement. Drawing primarily on the work of Marie Clements, Tomson Highway, Marilyn Dumont, Leanne Simpson, Richard Van Camp, Kent Monkman, and Louise Erdrich, this volume examines histories of uprooting and violence associated with roads. Along with exploring these fraught histories of mobility, this book emphasizes various ways in which Indigenous communities have transformed roads into sites of political resistance and social memory"--  |c Provided by publisher 
504 |a Includes bibliographical references and index. 
505 0 |a Mobility and its disenchantments in Marie Clements' The unnatural and accidental women and burning vision -- Idling no more: the road in Tomson Highway's The rez sisters -- Gridlock: mobility and subjection in Marilyn Dumont's Vancouver poems -- "The road is its own humiliation": Leanne Simpson's "Road Salt", "Leaks", "Ishpadinaa", and "How to steal a canoe" -- "I wanted the highway": Richard Van Camp's "Dogrib midnight runners" -- Kent Monkman's The Big Four as automobiography -- Across borders: Louise Erdrich's Books and islands in Ojibwe country. 
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650 0 |a Canadian literature  |x Indian authors  |x History and criticism. 
650 0 |a Canadian literature  |y 20th century  |x History and criticism. 
650 0 |a Roads in literature. 
650 0 |a Literature and society  |z Canada  |x History  |y 20th century. 
650 0 |a Indian art  |z Canada  |y 20th century. 
650 5 |a First Nations art  |z Canada  |y 20th century. 
650 6 |a Routes dans la littérature. 
650 6 |a Littérature et société  |z Canada  |x Histoire  |y 20e siècle. 
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651 7 |a Canada  |2 fast 
648 7 |a 1900-1999  |2 fast 
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655 7 |a History  |2 fast 
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776 0 8 |i Print version:  |a Rymhs, Deena, 1975-  |t Roads, mobility, and violence in indigenous literature and art from North America.  |d New York, NY : Routledge, 2019  |z 9780367149819  |w (DLC) 2018048151 
830 0 |a Routledge Studies in World Literatures and the Environment Ser. 
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