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Curating Live Arts : Global Perspectives on Theory and Practice.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Davida, Dena
Otros Autores: Pronovost, Marc, Hudon, Véronique, Gabriels, Jane
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Berghahn Books, Incorporated, 2018.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro; Curating Live Arts; Copyright Page; Contents; Illustrations; Prologue
  • Bethinking One's Own Strengths: The Performative Potential of Curating; Acknowledgments; A Collective Introduction; A Note on Curatorial Statements
  • A Third Space: Chasing the Intangible; Part I
  • Historical Framings; Chapter 1
  • From Content to Context: The Emergence of the Performance Curator; Practical Space
  • Curiosity and Intuition; Chapter 2
  • Exhibiting Performances: Process and Valorization in When Attitudes Become Forms-Bern 1969/Venice 2013.
  • Chapter 3
  • Can We Curate Dance without Making a Festival? On Dance Curatorship and Its Shifting BordersChapter 4
  • Curating Performance from Africa on International Stages: Thoughts on Artistic Categories and Critical Discourse; Practical Space
  • Untitled; Chapter 5
  • The Curating Nation: Emergence of Performance Curation in Singapore and Its Impact on Cultural Politics; Chapter 6
  • The Curatorial Chronotope; Practical Space
  • Layers; Chapter 7
  • More Weirdness, More Joy: Performance Curation and Pedagogy at Danspace Project and the Institute for Curatorial Practice in Performance.
  • Part II
  • Ethical ProposalsChapter 8
  • Dancing the Museum; Chapter 9
  • Curatorial Discourse and Equity: Tensions in Contemporary Dance Presenting in the United States; Practical Space
  • Holy Motor-a Mechanical Metaphor Surrounding the Live Arts Curator; Chapter 10
  • Noticing the Feedback: A Proposal to the Contemporary Dance Field, and/or This Revolution Will Be Crowdsourced; Chapter 11
  • Email to a Curator: An Introduction to The Curators' Piece; Practical Space
  • Curating Liveness; Chapter 12
  • Curation as a Form of Artistic Practice: Context as a New Work through UK-based Forest Fringe.
  • Part III
  • The Artist-CuratorsChapter 13
  • The Artist-Curator, or the Philosophy of "Do-It-Yourself"; Embodied Space
  • "Soft-Curation," Pollination, and Rhizomes; Chapter 14
  • Being in the Vanguard of Sensibility: Artists as Curators in Performing Arts-a Study of Collective Affect; Chapter 15
  • Familias: Artist-Activist Curation in the South Bronx, New York; Chapter 16
  • What We Talk About When We Talk About Curating the "Unexpected"; Embodied Space
  • Greater Than; Chapter 17
  • Because I Love Art, I Want Art to Be Different: The Project Perverse Curating and a Few Things I've Learned from It.
  • Chapter 18
  • Making Stage: Contemporary Dance and Performance Curation in the CaribbeanEmbodied Space
  • As We; Chapter 19
  • The Work of the Musician-Curator in Relation to the "Concert Scenario"; Chapter 20
  • Pseudo-, Anti-, and Total Dance: A Self-Interview on Curation; Chapter 21
  • Collective Creation and Improvised Curation: A Discussion with Body Slam; Part IV
  • Exhibition as Events; Chapter 22
  • A New Kind of Critical Elsewhere; Chapter 23
  • Re-enact History? Peforming the Archive!
  • Chapter 24
  • Choreographing Archives, Curating Choreographers: Yvonne Rainer, Xavier Le Roy, and the Dance Retrospective.