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181117s2018 nyu o 000 0 eng d |
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|a 9781785339646
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|a (OCoLC)1065003824
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|a 708
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|a UAMI
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|a Davida, Dena.
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|a Curating Live Arts :
|b Global Perspectives on Theory and Practice.
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|a New York, NY :
|b Berghahn Books, Incorporated,
|c 2018.
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|a 1 online resource (416 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|a Print version record.
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|a Intro; Curating Live Arts; Copyright Page; Contents; Illustrations; Prologue -- Bethinking One's Own Strengths: The Performative Potential of Curating; Acknowledgments; A Collective Introduction; A Note on Curatorial Statements -- A Third Space: Chasing the Intangible; Part I -- Historical Framings; Chapter 1 -- From Content to Context: The Emergence of the Performance Curator; Practical Space -- Curiosity and Intuition; Chapter 2 -- Exhibiting Performances: Process and Valorization in When Attitudes Become Forms-Bern 1969/Venice 2013.
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|a Chapter 3 -- Can We Curate Dance without Making a Festival? On Dance Curatorship and Its Shifting BordersChapter 4 -- Curating Performance from Africa on International Stages: Thoughts on Artistic Categories and Critical Discourse; Practical Space -- Untitled; Chapter 5 -- The Curating Nation: Emergence of Performance Curation in Singapore and Its Impact on Cultural Politics; Chapter 6 -- The Curatorial Chronotope; Practical Space -- Layers; Chapter 7 -- More Weirdness, More Joy: Performance Curation and Pedagogy at Danspace Project and the Institute for Curatorial Practice in Performance.
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|a Part II -- Ethical ProposalsChapter 8 -- Dancing the Museum; Chapter 9 -- Curatorial Discourse and Equity: Tensions in Contemporary Dance Presenting in the United States; Practical Space -- Holy Motor-a Mechanical Metaphor Surrounding the Live Arts Curator; Chapter 10 -- Noticing the Feedback: A Proposal to the Contemporary Dance Field, and/or This Revolution Will Be Crowdsourced; Chapter 11 -- Email to a Curator: An Introduction to The Curators' Piece; Practical Space -- Curating Liveness; Chapter 12 -- Curation as a Form of Artistic Practice: Context as a New Work through UK-based Forest Fringe.
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|a Part III -- The Artist-CuratorsChapter 13 -- The Artist-Curator, or the Philosophy of "Do-It-Yourself"; Embodied Space -- "Soft-Curation," Pollination, and Rhizomes; Chapter 14 -- Being in the Vanguard of Sensibility: Artists as Curators in Performing Arts-a Study of Collective Affect; Chapter 15 -- Familias: Artist-Activist Curation in the South Bronx, New York; Chapter 16 -- What We Talk About When We Talk About Curating the "Unexpected"; Embodied Space -- Greater Than; Chapter 17 -- Because I Love Art, I Want Art to Be Different: The Project Perverse Curating and a Few Things I've Learned from It.
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|a Chapter 18 -- Making Stage: Contemporary Dance and Performance Curation in the CaribbeanEmbodied Space -- As We; Chapter 19 -- The Work of the Musician-Curator in Relation to the "Concert Scenario"; Chapter 20 -- Pseudo-, Anti-, and Total Dance: A Self-Interview on Curation; Chapter 21 -- Collective Creation and Improvised Curation: A Discussion with Body Slam; Part IV -- Exhibition as Events; Chapter 22 -- A New Kind of Critical Elsewhere; Chapter 23 -- Re-enact History? Peforming the Archive!
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|a Chapter 24 -- Choreographing Archives, Curating Choreographers: Yvonne Rainer, Xavier Le Roy, and the Dance Retrospective.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Art museum curators.
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|a Art museums.
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|a Art
|x Exhibition techniques.
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|a Conservateurs de musée d'art.
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|a Art
|x Techniques d'exposition.
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|a curators.
|2 aat
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|a exhibition curators.
|2 aat
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|a Art
|x Exhibition techniques
|2 fast
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|a Art museum curators
|2 fast
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|a Art museums
|2 fast
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|a Pronovost, Marc.
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|a Hudon, Véronique.
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|a Gabriels, Jane.
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|i has work:
|a Curating live arts (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFXwPtxFYt6v83pWVVvMpq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Davida, Dena.
|t Curating Live Arts : Global Perspectives on Theory and Practice.
|d New York, NY : Berghahn Books, Incorporated, ©2018
|z 9781785339639
|
856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5572750
|z Texto completo
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