Cargando…

Speculation As a Mode of Production.

In Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital , Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the historical present. Writing not under the shadow but in the spirit of Adorno's negative dialectic, her work p...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Vishmidt, Marina, 1976-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Boston : BRILL, 2018.
Colección:Historical Materialism Book Ser.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Mu 4500
001 EBOOKCENTRAL_on1063832383
003 OCoLC
005 20240329122006.0
006 m o d
007 cr |n|---|||||
008 181117s2018 mau o 000 0 eng d
040 |a EBLCP  |b eng  |e pn  |c EBLCP  |d YDX  |d OCLCQ  |d LOA  |d OCLCF  |d OCLCO  |d SGP  |d OCLCO  |d K6U  |d OCLCQ  |d OCLCO  |d HDC  |d OCLCO  |d OCLCA 
019 |a 1061817311 
020 |a 9789004384774 
020 |a 9004384774 
020 |z 9789004291379 
020 |z 9004291377 
029 1 |a AU@  |b 000070077826 
035 |a (OCoLC)1063832383  |z (OCoLC)1061817311 
050 4 |a N8600 .V574 2019 
082 0 4 |a 706.8 
049 |a UAMI 
100 1 |a Vishmidt, Marina,  |d 1976- 
245 1 0 |a Speculation As a Mode of Production. 
260 |a Boston :  |b BRILL,  |c 2018. 
300 |a 1 online resource (266 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Historical Materialism Book Ser. 
588 0 |a Print version record. 
505 0 |a Intro; ‎Contents; ‎Preface; ‎Acknowledgements; ‎Introduction. Speculation as a Mode of Production in Art and Capital; ‎1. Introduction; ‎2. Speculation as Method; ‎3. How Does Art Speculate?; ‎4. Is There a Speculative Mode of Production?; ‎5. Chapter Summaries; ‎Chapter 1. Speculation: the Subjectivity of Re-structuring and Re-structuring Subjectivity; ‎1. Speculation in the Negative; ‎2. Speculative Subjects; ‎3. Fetishism and the Production of Subjectivity; ‎4. Speculation or Real Subsumption; ‎5. To Human is Capital; ‎6. Human Capital and Art 
505 8 |a ‎7. Speculation and Abstract Labour: an Abstract‎8. Self-Appreciation?; ‎9. From Self to Species-Being; ‎10. Value Equals Zero; ‎Chapter 2. Topologies of Speculation: the Tenses of Art, Labour and Finance; ‎1. 'Counterproductive' and Abstract Labour; ‎2. Autonomy in Generalised Speculation; ‎3. Speculation and Contingency; ‎4. What is an 'Absolute Contingency'?; ‎5. Futures and the Future; ‎6. Art as Counterproductive Labour; ‎7. Invisible Labour; ‎8. Visible Finance; ‎9. Conclusion; ‎Chapter 3. Aesthetic Speculations and Antagonisms; ‎1. Is Art Working?; ‎2. Real Subsumption 
505 8 |a ‎3. Negative Composition‎4. The Specialist of Non-specialism; ‎5. Negate Here; ‎6. The Critique of the Power of Judgement and the Critique of the Powers of Art: Kantian Interlude; ‎Chapter 4. Whatever Indicator: Indeterminacy, Judgement, and Putting the Speculative to Work; ‎1. Introduction; ‎2. The Name of Art; ‎3. To Be Done with the Judgement of Art; ‎4. Counter-artistic Production; ‎5. Whatever Indicator; ‎6. Reproductive Potentiality; ‎7. Subhuman Capital; ‎8. Artist Placement Group -- Incidental Person, or Negation of the Artist?; ‎9. Excursus on Use-Value 
505 8 |a ‎10. Artistic Communism -- a Speculative Gesture‎11. Art -- Departure or Destination?; ‎Conclusion. Whither Speculation?; ‎1. One More Time If You Would Be Useless; ‎2. Trajectories of the Generic; ‎3. Prognostic Coda; ‎Bibliography; ‎Index 
520 |a In Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital , Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the historical present. Writing not under the shadow but in the spirit of Adorno's negative dialectic, her work pursues speculation through its contested terrains of philosophy, finance, and art, to arrive at the most detailed analysis that we now possess of the role of speculation in the shaping of subjectivity by value relations. Featuring detailed critical discussions of recent tendencies in the artistic representation of labour, and a brilliant reconstruction of the philosophical concept of the speculative from its origins in German Romanticism, Speculation as a Mode of Production is an essential, widescreen theorisation of capital's drive to self-expansion, and an urgent corrective to the narrow and one-sided periodisations to which it is most commonly subjected. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Art. 
650 0 |a Speculation. 
650 0 |a Capital productivity. 
650 0 |a Finance-Political aspects. 
650 6 |a Spéculation. 
650 6 |a Capital  |x Productivité. 
650 6 |a Art. 
650 7 |a speculating.  |2 aat 
650 7 |a Art  |x Economic aspects  |2 fast 
650 7 |a Capital productivity  |2 fast 
650 7 |a Speculation  |2 fast 
776 0 8 |i Print version:  |a Vishmidt, Marina.  |t Speculation As a Mode of Production.  |d Boston : BRILL, ©2018  |z 9789004291379 
830 0 |a Historical Materialism Book Ser. 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5570605  |z Texto completo 
938 |a YBP Library Services  |b YANK  |n 15817575 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL5570605 
994 |a 92  |b IZTAP