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Late Bresson and the visual arts : cinema, painting and Avant-Garde experiment /
Critics have largely neglected the color films of French film director Robert Bresson (1901?99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-gard...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2018]
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| Colección: | Film culture in transition.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Late Bresson and the visual arts : |b cinema, painting and Avant-Garde experiment / |c Raymond Watkins |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2018] | |
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| 490 | 1 | |a Film culture in transition | |
| 520 | 8 | |a Critics have largely neglected the color films of French film director Robert Bresson (1901?99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-garde traditions as surrealism, constructivism, and minimalism, and illustrating how his embodied style leads to a complex form of intermediality. Through that analysis, Raymond Watkins shows clearly that Bresson still has a good deal to teach us about cinema?s distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general | |
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Bresson's debt to painting: iconography, lighting, color, and framing practices -- The turn to postwar abstraction: action painting, L'Art Informel, and Le Nouveau Réalisme -- Bresson's flirtation with surrealism: sexual desire, masochism, and abjection -- The design and pattern of the whole: constructivist painting and theater -- Between constructivism and minimalism: Bresson's ambivalence toward the modern | |
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| 600 | 1 | 0 | |a Bresson, Robert |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Bresson, Robert |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Bresson, Robert |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJp9qXgqF3khb6PVHgmrv3 |
| 650 | 0 | |a Art and motion pictures. | |
| 650 | 0 | |a Avant-garde (Aesthetics) | |
| 650 | 6 | |a Art et cinéma. | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a Media studies. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Art and motion pictures |2 fast | |
| 650 | 7 | |a Avant-garde (Aesthetics) |2 fast | |
| 653 | |a Robert Bresson, intermediality, painting, the avant-garde, surrealism. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Watkins, Raymond. |t Late Bresson and the visual arts. |d Amsterdam : Amsterdam University Press, [2018] |z 9789462983649 |z 946298364X |w (OCoLC)1019650974 |
| 830 | 0 | |a Film culture in transition. | |
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