|
|
|
|
| LEADER |
00000cam a2200000Mi 4500 |
| 001 |
EBOOKCENTRAL_on1059373389 |
| 003 |
OCoLC |
| 005 |
20240329122006.0 |
| 006 |
m o d |
| 007 |
cr |n|---||||| |
| 008 |
181027s2017 xx o 000 0 eng d |
| 040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCO
|d MERUC
|d IDB
|d OCLCQ
|d AU@
|d OCLCF
|d OCLCO
|d OCLCQ
|d K6U
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
|
| 020 |
|
|
|a 9780814342251
|
| 020 |
|
|
|a 0814342256
|
| 035 |
|
|
|a (OCoLC)1059373389
|
| 050 |
|
4 |
|a PN1995.9.C66
|b .B478 2017eb
|
| 082 |
0 |
4 |
|a 791.436556
|2 23
|
| 049 |
|
|
|a UAMI
|
| 100 |
1 |
|
|a Sloniowski, Jeannette.
|
| 245 |
1 |
4 |
|a The Best Laid Plans :
|b Interrogating the Heist Film.
|
| 260 |
|
|
|a OnixTransformation. OnixModel. CityOfPublication :
|b Wayne State University Press,
|c 2017.
|
| 300 |
|
|
|a 1 online resource (269 pages)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Contemporary Approaches to Film and Media Series
|
| 588 |
0 |
|
|a Print version record.
|
| 505 |
0 |
|
|a Cover; Title Page; Copyright; Dedication; Contents; Acknowledgments; Introduction: ... of Heists and Men; 1. The International Heist Film; All for Naught: The American Heist Film in the Fifties; "What Price Glory?": Postwar British Heist Films; The Joy of Burglary: Wealth Relocation Strategies and Other Entertainments in the Postwar French Policier; From Nickel Mines to Plastic Vaginas: The Heist Genre in Canadian Cinema; 2. Gender, Race, and Class in the Heist Film; Men, Women, and the Heist Film; Masculinity, Morality, and Action: Michael Mann and the Heist Movie.
|
| 505 |
8 |
|
|a Hollywood and the Black Stickup: Race and the Meaning of the Heist on the Big White ScreenThe Inevitability of Failure: The Small-Time Criminal and the Heist Film; 3. The Aesthetics and Ideology of the Heist Film; Economic Sentiments in Kubrick's The Killing and Furukawa's Cruel Gun Story; Heists and "Eye-sts": Sense and Sensuality in the Aesthetic Experience of the Heist Film; The Galerie Imaginaire of Steven Soderbergh's Ocean's Trilogy: Modernist Painting in the Contemporary Heist Film; September 11 as Heist; Select Filmography; Works Cited; Contributors; Index.
|
| 590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
| 650 |
|
0 |
|a Crime films.
|
| 650 |
|
0 |
|a Caper films
|x History and criticism.
|
| 650 |
|
0 |
|a Detective and mystery films
|x History and criticism.
|
| 650 |
|
6 |
|a Films criminels.
|
| 650 |
|
6 |
|a Films de casse
|x Histoire et critique.
|
| 650 |
|
6 |
|a Films de détective
|x Histoire et critique.
|
| 650 |
|
7 |
|a Caper films
|2 fast
|
| 650 |
|
7 |
|a Crime films
|2 fast
|
| 650 |
|
7 |
|a Detective and mystery films
|2 fast
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
| 700 |
1 |
|
|a Leach, Jim.
|
| 700 |
1 |
|
|a Studlar, Gaylyn.
|
| 700 |
1 |
|
|a Rayner, Jonathan.
|
| 700 |
1 |
|
|a Carroll, Hamilton.
|
| 700 |
1 |
|
|a Palmer, Tim.
|
| 700 |
1 |
|
|a Henderson, Scott.
|
| 700 |
1 |
|
|a Munby, Jonathan.
|
| 700 |
1 |
|
|a Sloniowski, Jeannette.
|
| 758 |
|
|
|i has work:
|a Best Laid Plans (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFrGHxmwVG8MF4THFqT9ym
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Sloniowski, Jeannette.
|t Best Laid Plans : Interrogating the Heist Film.
|d OnixTransformation. OnixModel. CityOfPublication : Wayne State University Press, ©2017
|z 9780814342244
|
| 830 |
|
0 |
|a Contemporary approaches to film and media series.
|
| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5558734
|z Texto completo
|
| 938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL5558734
|
| 994 |
|
|
|a 92
|b IZTAP
|
