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181013s2018 enk o 000 0 eng d |
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|a 1151196691
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|a 9781350017221
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|a 1350017221
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|a (OCoLC)1056881676
|z (OCoLC)1151196691
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|a PN1590.H36
|b L68 2019
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|a 822.3093527
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|a UAMI
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|a Love, Genevieve.
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|a Early Modern Theatre and the Figure of Disability.
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|a London :
|b Bloomsbury Publishing PLC,
|c 2018.
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300 |
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|a 1 online resource (225 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Arden Studies in Early Modern Drama Ser.
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|a Print version record.
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|a Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication; CONTENTS; ACKNOWLEDGEMENTS; NOTE ON TEXTS; Introduction Disability and/as theatricality; 'In similies ... like a good Scholler': the work of likeness in theatre, text and criticism; 'Disability ... as the site of the figural': the problem and possibility of disability as metaphor; 'Disability demands a story': disability and narrative, poetics and performance; 'Unique ontological confusion': doubleness, multiplicity and disappearance in theatrical personation.
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|a 'Lively action' and 'lamenesse': disability between performance and print'Prosthesis is ... an activity': prosthesis as dynamic verbal and bodily system; 'The tug of metaphor': disability-as-metaphor's metaphorical pull; 1 The work of standing and of standing-for Disability, movement, theatrical personation in; 'The Cripple at work'; 'By this crutch'; To 'mount ... to beare ... to direct ... to waft'; 'Assume this shape of mine'; 'Stand thou'; Twig, timber, wood; 2 The sound of prosthetic movement Transnational and temporal analogy in A Larum for London.
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|a 'A higher-level form of agility''Full' and 'emptie'; 'Greazie panch' and 'rotten stump'; 'Tickle him a good'; Stump-time; 'My pasport'; 'Sa sa sa sa' Stump: the sounds of the paratext; 3 'Faustus has his legge again' Truncation and prosthesis, theatricality and bibliography in Doctor Faustus; 'Mangled ... and torn thus'; 'Sadly truncated'; 'His head is off'; 'The syntax of the jointed body'; 'Faustus has his legge again'; The 'Faustus effect'; 4 Richard's 'giddy footing' Degree of difference and cyclical movement in Shakespeare's Richard III.
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|a The 'crookback prodigy': Richard Gloucester and The True Tragedy of Richard Duke of York'Am' or 'and': Richard III's and Richard III's sliding scale; The 'C' and the 'I': Richard on the move; Seeking and straying, halting and passing, stumbling and bustling: Richard's locomotive journey; From English circle to English cycle; Afterword: 'crooked figures'; NOTES; BIBLIOGRAPHY; INDEX.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a People with disabilities and the performing arts.
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650 |
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|a People with disabilities in literature.
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650 |
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|a Modernism (Literature)
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650 |
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6 |
|a Personnes handicapées et arts du spectacle.
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650 |
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|a Modernisme (Littérature)
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650 |
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7 |
|a Modernism (Literature)
|2 fast
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650 |
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7 |
|a People with disabilities and the performing arts
|2 fast
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650 |
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7 |
|a People with disabilities in literature
|2 fast
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758 |
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|i has work:
|a Early modern theatre and the figure of disability (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGwtByd4x7T8w9ddRMB8bq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
8 |
|i Print version:
|a Love, Genevieve.
|t Early Modern Theatre and the Figure of Disability.
|d London : Bloomsbury Publishing PLC, ©2018
|z 9781350017207
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830 |
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0 |
|a Arden Studies in Early Modern Drama Ser.
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5535316
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5535316
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994 |
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|a 92
|b IZTAP
|