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A Companion to Nineteenth-Century Art.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newark :
John Wiley & Sons, Incorporated,
2018.
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| Colección: | Blackwell Companions to Art History Ser.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro; Title Page; Copyright Page; Contents; List of Figures; About the Editor; Notes on Contributors; Series Editor's Preface; Acknowledgments; Introduction; Chapter 1 Moses Jacob Ezekiel's Religious Liberty (1876) and the Nineteenth-Century Jewish American Experience; Note; References; Further Reading; Chapter 2 The Lure of "Magick Land": British Artists and Italy in the Eighteenth Century; Numbers; Motivations; Patronage and the journey; Life in Rome; Training; Patronage and protection; Art Dealing and Diversifying; Portraitists; Landscape Painters; History Painting.
- Artists on their ReturnReferences; Chapter 3 Mining the Dutch Golden Age: The Avant-Garde Enterprise; Introduction; Thoré; Millet; Courbet; Van Gogh; Conclusion; Notes; References; Chapter 4 "The Revenge of Art on Life": Beauty, Modernity, and Edward Burne-Jones's King Cophetua and the Beggar Maid; The Palace of Art; "An Arrangement in Flesh and Blood"; "The Name of Burne-Jones Became a Watchword"; Notes; References; Chapter 5 Show and Tell: Exhibition Practice in the Nineteenth Century; References; Chapter 6 Networked: The Art Market in the Nineteenth Century.
- London's art Market: Growth and ChangeArtists' societies; Dealers and galleries; Auctions houses and auctioneers; New identities: the dealer; New Identities: the Artist; New identities: The critic; Conclusion; Notes; References; Chapter 7 German Art Academies and their Impact on Artistic Style; Introduction; Düsseldorf: Naturalism and Landscape Painting, 1826-1850; Munich: Colorism and Staged History, 1849-1886; Berlin: Technicolor Realism and Propaganda, 1875-1892; Conclusion; Notes; References; Further Reading; Chapter 8 "Orientalism" in Art: The Case of John Frederick Lewis.
- Orientalism and the Work of Edward SaidOrientalism's History and Geographies; Orientalism in the Visual Arts; John Frederick Lewis; Harems; Cultural Encounters; Comparison/Contrasts; Conclusion; Notes; References; Chapter 9 Wall to Wall: Zones of Artistic Engagement in Late Nineteenth-Century America; Museum, Academy, Studio; Upward and outward; Private Preserves of Color and Tone; To The Lower East Side and Back Again; Conclusion: "A Picture that Moves You"; References; Further Reading.
- Chapter 10 "Like a Dog, Just Looking": Cézanne, Innocence, and Early Phenomenological Thought in Nineteenth-Century FrancePhenomenological Preamble; The Critic as Philosopher; In the Wake of Geffroy; A Proto-phenomenological Cézanne; Coda: Rilke's Cézanne; Notes; References; Chapter 11 Aesthetic Religion, Religious Aesthetics, and the Romantic Quest for Epiphany; The Cult of The Artist, a Preamble; The Cult of the Artist, and its Discontents; Franz Pforr's Artistic Apotheosis; Aesthetic Religion; Devotion as Art and Art Criticism; Art as Epiphany; Religious Art.