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|a Braider, Christopher,
|d 1950-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjv4K4BKxRmXBfH69mchQC
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|a Experimental selves :
|b person and experience in early modern Europe /
|c Christopher Braider.
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|a Toronto :
|b University of Toronto Press,
|c [2018]
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|c ©2018
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|a Includes bibliographical references and index.
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|a Cover; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; Introduction. Changing the Subject: Early Modern Persons and the Culture of Experiment; 1 The Shape of Knowledge: The Culture of Experiment and the Byways of Expression; 2 The Art of the Inside Out: Vision and Expression in Hoogstraten's Peepshow; 3 Persons and Portraits: The Vicissitudes of Burckhardt's Individual; 4 Justice in the Marketplace: The Invisible Hand in Ben Jonson's Bartholomew Fayre; 5 Actor, Act, and Action: The Poetics of Agency in Corneille, Racine, and Molière.
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|a 6 The Experiment of Beauty: Vraisemblance Extraordinaire in Lafayette's Princesse de Clèves7 Groping in the Dark: Aesthetics and Ontology in Diderot and Kant; Conclusion. Person, Experiment, and the World They Made; Notes; Works Cited; Index.
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|a Drawing on the generous semantic range the term enjoyed in early modern usage, the book argues that person as early moderns understood it was an ""experimental"" phenomenon--at once a given of experience and the self-conscious arena of that experience
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|a Self in literature.
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|a Self-perception in art.
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|a Self-knowledge, Theory of
|x History.
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|a Self (Philosophy)
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|a Moi (Philosophie)
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|a Littérature européenne
|x Histoire et critique.
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|i has work:
|a Experimental selves (Text)
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|i Print version:
|a Braider, Christopher, 1950-
|t Experimental selves.
|d ©2018
|z 1487503687
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|w (OCoLC)1029804370
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