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Experimental selves : person and experience in early modern Europe /

Drawing on the generous semantic range the term enjoyed in early modern usage, the book argues that person as early moderns understood it was an ""experimental"" phenomenon--at once a given of experience and the self-conscious arena of that experience

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Braider, Christopher, 1950- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto : University of Toronto Press, [2018]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Braider, Christopher,  |d 1950-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjv4K4BKxRmXBfH69mchQC 
245 1 0 |a Experimental selves :  |b person and experience in early modern Europe /  |c Christopher Braider. 
264 1 |a Toronto :  |b University of Toronto Press,  |c [2018] 
264 4 |c ©2018 
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505 0 |a Cover; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; Introduction. Changing the Subject: Early Modern Persons and the Culture of Experiment; 1 The Shape of Knowledge: The Culture of Experiment and the Byways of Expression; 2 The Art of the Inside Out: Vision and Expression in Hoogstraten's Peepshow; 3 Persons and Portraits: The Vicissitudes of Burckhardt's Individual; 4 Justice in the Marketplace: The Invisible Hand in Ben Jonson's Bartholomew Fayre; 5 Actor, Act, and Action: The Poetics of Agency in Corneille, Racine, and Molière. 
505 8 |a 6 The Experiment of Beauty: Vraisemblance Extraordinaire in Lafayette's Princesse de Clèves7 Groping in the Dark: Aesthetics and Ontology in Diderot and Kant; Conclusion. Person, Experiment, and the World They Made; Notes; Works Cited; Index. 
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650 6 |a Perception de soi dans l'art. 
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