1968 and global cinema /

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Stam, Robert, 1941- (Contribuidor), Saint, Lily (Contribuidor), Giansante, Rocco (Contribuidor), Hames, Peter (Contribuidor), Grandis, Rita de (Contribuidor), Adamson, Morgan (Contribuidor), Desser, David (Contribuidor), Stout, Graeme (Contribuidor), Saljoughi, Sara (editor, contributor.), Gerhardt, Christina (editor, contributor.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Detroit, Michigan : Wayne State University Press, [2018]
Colección:Contemporary approaches to film and media series.
Temas:
1900-1999
Motion pictures > History > 20th century.
Cinéma > Histoire > 20e siècle.
PERFORMING ARTS > Reference.
Motion pictures
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: Looking Back: Global Cinema and the Legacy of New Waves around 1968 / Christina Gerhardt and Sara Saljoughi
  • I. The Long Sixties: Cinematic New Waves
  • 1. The "Long 1968" and Radical Film Aesthetics / Robert Stam
  • 2. "What Am I Doing in the Middle of the Revolution?": Ennio Morricone and The Battle of Algiers / Lily Saint
  • 3. Before the Revolution: The Radical Anxiety of Paulo Rocha's Cinema / Rocco Giansante
  • 4. The Czechoslovak New Wave Revisited / Peter Hames
  • 5. Internationalism and the Early Student Films of the German Film and Television Academy Berlin (dffb) / Christina Gerhardt
  • 6. The Hour of the Furnaces: A Film "Happening" / Rita de Grandis
  • 7. Toward a New Mode of Study: The New Student Left and the Occupation of Cinema in Columbia Revolt and The Battlefront for the Liberation of Japan--Summer in Sanrizuka / Morgan Adamson
  • 8. Oshima, Korea, and 1968: Death by Hanging and Three Resurrected Drunkards / David Desser
  • 9. The Hypothetical and the Experimental: Reading Lindsay Anderson's If ... Alongside Pier Paolo Pasolini's Teorema / Graeme Stout
  • 10. Obscurity, Anthologized: Non-Relation and Enjoyment in Love and Anger (1969) / Mauro Resmini
  • II. Aftershocks
  • 11. Re-presenting the "Just Image": Godard-Gorin's Vent d'est and the Radical Thwartedness of Maoist Solidarity after May 1968 / Man-tat Terence Leung
  • 12. Medium UnCool: Women Shoot Back; Feminism, Film, and 1968-- A Curious Documentary / Paula Rabinowitz
  • 13. Third Cinema in the First World: L.A. Rebellion and the Aesthetics of Confrontation / Allyson Nadia Field
  • 14. The Politics of (In)Action: Humanism, Violence, and Revolution in Satyajit Ray's Pratidwandi/The Adversary / Sarah Hamblin
  • 15. Maysles Films: Some Paradoxes of Direct Cinema in the 1960s and 1970s / J.M. Tyree
  • 16. The Rhetoric of Parapraxis: The 1967 Riots and Hong Kong Film Theory / Victor Fan
  • 17. Cultural Revolution Models on Film: The Third World Politics of Self-Reflexivity in On the Docks (1972) / Laurence Coderre
  • 18. Workers Interrupting the Factory: Helena Lumbreras's Militant Factory Films between Italy and Spain (1968-78) / Pablo La Parra-Pérez
  • 19. Political Cinema, Revolution, and Failure: The Iranian New Wave, 1962-79 / Sara Saljoughi.

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