Perspectives on contemporary printmaking : critical writing since 1986 /

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"This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critica...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Pelzer-Montada, Ruth
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2018.
Temas:
Prints.
Printmakers.
Prints > Technique.
Estampe.
Graveurs d'estampes.
Estampe > Technique.
printmaking.
ART > Techniques > Printmaking.
CRAFTS & HOBBIES > Printmaking.
DESIGN > Graphic Arts > General.
Prints > Technique
Printmakers
Prints
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Part I: Genealogy
  • Part II: Debates
  • Part III: Keywords
  • Part IV: The field.
  • Part I: Genealogy
  • Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss
  • The technical gaze: the parallel world of photography (2003) / Ernst Rebel
  • Post-print culture? (2013) / Frances Robertson
  • Part II: Debates
  • The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg
  • Sentences on printed art (1994) / Richard S. Field
  • The re-vision of printmaking(1999) / Kathryn Reeves
  • The shape of graphic art (2010) / Andrzrej Bednarczyk
  • The graphic unconscious or the how and why of a print triennial (2011) / José Roca
  • Print as other: the future is queer (2013) / Richard Harding
  • The what and the why of print (2016) / Barbara Balfour
  • Part III: Keywords
  • Coordinates of a history of the technical image 2003) / Ernst Rebel
  • The status of the reproduction (1988) / Susan Lambert
  • Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries
  • Are all multiples the same? The problematic nature of the limited edition (2015) / K.E. Gover
  • Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake
  • Opening up an anachronistic point of view (1997) / Georges Didi-Huberman
  • Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo
  • Spirit duplication (2010) / Yara Flores
  • Three ways to use yellow (2014) / Catherine Brooks
  • On the manual (in the manual)
  • Part IV: The field
  • Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann
  • Projects and portfolios: narrative and structure (1995) / Jeremy Lewison
  • Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders
  • Print and the public sphere (2011) / Sheryl Conkelton
  • The work event: art in the distributed field and systems of production (2013) / Johanna Drucker
  • All the instruments agree (2010) / Eric Triantafillou
  • Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez
  • Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui
  • What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins
  • Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson
  • Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.

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