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The Orpheus myth in Milton's "L'Allegro", "Il Penseroso", and "Lycidas" : a Peircean reading /

"In this study of John Milton's "L'Allegro", "Il Penseroso", and "Lycidas", the perspective of an interpreting sign serves as the basis for analysis of the poems' allusions to the Orpheus myth. The idea of an interpretant proposed by Charles Sanders...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sá, Luiz Fernando Ferreira (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2018.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Sá, Luiz Fernando Ferreira,  |e author. 
245 1 4 |a The Orpheus myth in Milton's "L'Allegro", "Il Penseroso", and "Lycidas" :  |b a Peircean reading /  |c by Luiz Fernando Ferreira Sá. 
264 1 |a Newcastle upon Tyne, UK :  |b Cambridge Scholars Publishing,  |c 2018. 
264 4 |c ©2018 
300 |a 1 online resource (viii, 163 pages) :  |b illustration 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references (pages 153-163). 
520 |a "In this study of John Milton's "L'Allegro", "Il Penseroso", and "Lycidas", the perspective of an interpreting sign serves as the basis for analysis of the poems' allusions to the Orpheus myth. The idea of an interpretant proposed by Charles Sanders Peirce and the semiotic relations theorized by Jorgen Dines Johansen work as a lens that enables the reader to see the extent to which Milton recreated the Orpheus myth and used its recreating powers in his poems. Since the three poems have different and opposing voices, the Orpheus myth is the trigger behind the change of voices, as well as the modeling frame that underlies the transitions from an innocent to an enlightened viewpoint. Furthermore, readers in general and critics of all persuasions will have the chance to appreciate the presence of the Orpheus myth in Milton's work as the fragmented configuration of consciousness in the process of defining two orders of existence: the human and the divine."--  |c Back cover 
588 0 |a Print version record. 
505 0 |a Intro; Table of Contents; Abstract; Chapter One; 1.1 The Prospect of Various Choices; 1.2. The Famous Orpheus, the Survival of the Myth, and Orphism; 1.3. The Choice of Peircean Semiotics over French Semiology; Chapter Two; 2.1. The Semiotics of Peirce; 2.2. Why Peirce's Semiotics is both Acclaimed and Deprecated; 2.3. Johansen's Semiotic Pyramid; Chapter Three; 3.1. Milton's Life and Time -- A Brief History; 3.2. Milton's Education and Poetics; 3.3. Milton's Religious and Philosophical Opinions and of his Music and of his Music 
505 8 |a 3.4 An Overview of Three Centuries of Milton Criticism and of his MusicChapter Four; 4.1 Medieval and Early Modern Views on the Myth of Orpheus; 4.2 The Pastoral Mythopoiesis and the Christ-Orpheus Symbolic Association; Chapter Five; 5.1 Orpheus in Milton's Early Writings; 5.2 ""L'Allegro, "" ""Il Penseroso, "" and ""Lycidas; 5.3. Milton's Longer Poems; Chapter Six; 6.1. The Twin Poems; 6.2. ""Lycidas"" and its Criticism; Chapter Seven; 7.1. The Interpretant in Literary Semiotics; 7.2. ""Lycidas""-The Myth of Orpheus as Interpretant; 7.3. Melancholy Orpheus -- The Interpretant of ""Il Penseroso 
505 8 |a 7.4. Slumberous Orpheus -- The Interpretant of ""L'AllegroChapter Eight; Works Cited 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
600 1 0 |a Milton, John,  |d 1608-1674  |x Criticism and interpretation. 
600 0 0 |a Orpheus  |c (Greek mythological character)  |x In literature  |y 17th century. 
600 1 0 |a Peirce, Charles S.  |q (Charles Sanders),  |d 1839-1914. 
600 1 0 |a Milton, John,  |d 1608-1674.  |t Allegro. 
600 1 0 |a Milton, John,  |d 1608-1674.  |t Penseroso. 
600 1 0 |a Milton, John,  |d 1608-1674.  |t Lycidas. 
600 1 7 |a Milton, John,  |d 1608-1674  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJfCxg7wC9qpDcMrCdtFrq 
600 0 7 |a Orpheus  |c (Greek mythological character)  |2 fast 
600 1 7 |a Peirce, Charles S.  |q (Charles Sanders),  |d 1839-1914  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJB48DrKPR4PPYBj6dkxDq 
630 0 7 |a Allegro (Milton, John)  |2 fast 
630 0 7 |a Lycidas (Milton, John)  |2 fast 
630 0 7 |a Penseroso (Milton, John)  |2 fast 
650 0 |a Semiotics and literature. 
650 6 |a Sémiotique et littérature. 
650 7 |a Literary studies: c 1500 to c 1800.  |2 bicssc 
650 7 |a Literary studies: poetry & poets.  |2 bicssc 
650 7 |a Literary theory.  |2 bicssc 
650 7 |a POETRY  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a Literature  |2 fast 
650 7 |a Semiotics and literature  |2 fast 
648 7 |a 1600-1699  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
758 |i has work:  |a The Orpheus myth in Milton's "L'Allegro", "Il Penseroso", and "Lycidas" (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFtGKrJpbWRywyV8Hv7tBq  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |a Sá, Luiz Fernando Ferreira.  |t Orpheus myth in Milton's "L'Allegro", "Il Penseroso", and "Lycidas".  |d Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2018  |z 1527506290  |w (OCoLC)1019747314 
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