Gender inequality in metal music production /
For over four decades, scholars have been investigating male dominance - both symbolically and numerically -within popular music. The heavier genres of popular music, metal music in particular, have been male dominated spaces, which are difficult to navigate for women participating as fans, musician...
Clasificación: | Libro Electrónico |
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Autores principales: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Bingley :
Emerald Publishing Limited,
2018.
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Colección: | Emerald studies in metal music and culture.
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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100 | 1 | |a Berkers, Pauwke, |e author. | |
245 | 1 | 0 | |a Gender inequality in metal music production / |c by Pauwke Berkers and Julian Schaap, Erasmus University Rotterdam, the Netherlands. |
264 | 1 | |a Bingley : |b Emerald Publishing Limited, |c 2018. | |
264 | 4 | |c ©2018 | |
300 | |a 1 online resource (xx, 149 pages) : |b illustrations, maps | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Emerald Studies in Metal Music and Culture | |
520 | |a For over four decades, scholars have been investigating male dominance - both symbolically and numerically -within popular music. The heavier genres of popular music, metal music in particular, have been male dominated spaces, which are difficult to navigate for women participating as fans, musicians, or both. Studies on gender inequality in metal music have convincingly demonstrated how gender dynamics shape the reception of metal music and metal scenes all over the globe. Yet, they shed relatively little light on the extent of and reasons for metal music's male domination from a production perspective. This book fills this gap, offering is a systematic and large-scale overview of gender inequality in metal music production. In other words: how many women - compared to men - are participating in metal bands and what are the causes for the differences in participation? | ||
504 | |a Includes bibliographical references (pages 119-144) and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Intro; Gender Inequality in Metal Music Production; Contents; Lists of Images, Figures and Tables; Images; Figures; Tables; About the Authors; Preface and Acknowledgments; Introduction: Gender Inequality in Metal Music Production; Learning, Doing and Evaluating Gender in Society, Pop Music and Metal; I. Gender in Society at Large; II. Gender in Popular Music; Representation of Women in Pop Music; Explaining the Representation of Women in Pop Music; III. Gender in Metal Music; Representation of Women in Metal Music; Explaining the Representation of Women in Metal Music; Data and Methods | |
505 | 8 | |a Structure and Outline of the Book1. Winds of Change? Longitudinal Trends and Cross-National Differences; A History of Women in Metal Music Production; Getting into Metal Music; The Statistics of a Boy's Club: Three Per Cent; Global Cultural Production of Metal Music; The Masculine Glocalisation of Metal Music; 2. 'Female-Fronted Metal': Gender Differences and (Sub)Genres; Genre Rules: Expectations, Orientations and Conventions; Gendered Genre Rules; The Statistics of Gendered Subgenres; Gender and Subgenres; Gender and Subgenres in Six Countries; Gendering of (Sub)Genre Through Social Marking | |
505 | 8 | |a 3. All Vocals, Few Chords: Gender Differences in InstrumentationHorizontal Sex Segregation: Gender, Instruments and Stereotypes; Vertical Sex Segregation: Gender, Prestige and Instruments; The Statistics of Instrumentation: All Vocals, Few Chords; Gender and Instrumentation; Gender and Instrumentation in Metal Subgenres; 4. Wielding the Double-Edged Sword: Gender Differences in Artistic Careers; Social Marking and Boundaries; Tokenism; Cultural/Structural Embeddedness and the Double-Edged Sword; Positive Tension: The Benefits of Higher Visibility | |
505 | 8 | |a Negative Tension: The Disadvantages of Higher VisibilityThe Statistics of the Double-Edged Sword: Institutional Recognition; The Great Trade-Off: Standing Out or Fitting In?; Conclusion: Women Are Nowhere, Gender Is Everywhere; Main Findings and Contributions; Discussion and Further Research; Amplifying Gender Equality, Perhaps; Appendix 1: Quantitative Data -- The Metal Archives; Variable Construction: Subgenre and Instruments; Appendix 2: Qualitative Data -- Interviews with Metal Musicians; References; Secondary Sources; Index | |
590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
590 | |a Emerald Insight |b Emerald All Book Titles | ||
650 | 0 | |a Music trade. | |
650 | 0 | |a Sound recordings |x Production and direction. | |
650 | 0 | |a Sex discrimination against women. | |
650 | 0 | |a Discrimination in employment. | |
650 | 6 | |a Musique |x Industrie. | |
650 | 6 | |a Discrimination à l'égard des femmes. | |
650 | 6 | |a Discrimination dans l'emploi. | |
650 | 7 | |a Gender studies: women. |2 bicssc | |
650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
650 | 7 | |a Discrimination in employment |2 fast | |
650 | 7 | |a Music trade |2 fast | |
650 | 7 | |a Sex discrimination against women |2 fast | |
650 | 7 | |a Sound recordings |x Production and direction |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
700 | 1 | |a Schaap, Julian, |e author. | |
758 | |i has work: |a Gender inequality in metal music production (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGwDXcFPb88HGgpXjjxjQ3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Berkers, Pauwke. |t Gender inequality in metal music production. |b First edition. |d Bingley, UK : Emerald Publishing Limited, 2018 |z 1787146758 |w (OCoLC)1020032271 |
830 | 0 | |a Emerald studies in metal music and culture. | |
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