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|2 23
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|a UAMI
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|a Shain, Richard M.
|q (Richard Matthew),
|d 1949-
|e author.
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|a Roots in reverse :
|b Senegalese Afro-Cuban music and tropical cosmopolitanism /
|c Richard M. Shain.
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|a Middletown, Connecticut :
|b Wesleyan University Press,
|c [2018]
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|a 1 online resource (xxvii, 210 pages)
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|a text
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|a Music/Culture
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|a Includes bibliographical references, discography, and index.
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|a Online resource; title from digital title page (viewed on November 29, 2018).
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|a Cover; Roots in Reverse; Title; Copyright; Dedication; CONTENTS; Acknowledgments; Note on Spelling of Senegalese Names; INTRODUCTION Sound Track for a Black Atlantic; ONE Kora(son): Africa and Afro-Cuban Music; TWO Havana/Paris/Dakar: Itineraries of Afro-Cuban Music; THREE Son and Sociality: Afro-Cuban Music, Gender, and Cultural Citizenship, 1950s-1960s; FOUR From Sabor to Sabar: The Rise of Senegalese Afro-Cuban Orchestras, 1960s-1970s; FIVE ReSONances Senegalaises: Authenticity, Cosmopolitanism, and the Rise of Salsa M'balax, 1980s-1990s
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|a SIX "Music Has No Borders": The Global Marketing of a Local Musical Tradition, 1990s-2006CONCLUSION Making Waves; Notes; Glossary; List of Interviews; Bibliography; Discography; Index; Illustrations follow page; ABOUT THE AUTHOR
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520 |
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|a A study of the impact of Cuban music on Senegalese music and modernity.
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|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Popular music
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|i Print version:
|a Shain, Richard M. (Richard Matthew), 1949-
|t Roots in reverse.
|d Middletown, Connecticut : Wesleyan University Press, 2018
|z 9780819577085
|w (DLC) 2018023906
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