Cargando…
A theory of virtual agency for Western art music /
In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional acti...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press,
[2018]
|
| Colección: | Musical meaning and interpretation.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_on1037897236 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 180515s2018 inua ob 001 0 eng | ||
| 010 | |a 2018023643 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d OCLCF |d N$T |d P@U |d EBLCP |d YDX |d JSTOR |d YDX |d BAB |d CNCGM |d MERER |d OCLCQ |d OTZ |d ERL |d IDB |d OCLCQ |d ZCU |d OCLCQ |d RECBK |d OCLCQ |d K6U |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 1050611199 |a 1055635678 | ||
| 020 | |a 9780253037992 |q (electronic book) | ||
| 020 | |a 0253037999 |q (electronic book) | ||
| 020 | |a 9780253038012 |q (electronic book) | ||
| 020 | |a 0253038014 |q (electronic book) | ||
| 020 | |z 9780253037978 |q (hardcover |q alkaline paper) | ||
| 035 | |a (OCoLC)1037897236 |z (OCoLC)1050611199 |z (OCoLC)1055635678 | ||
| 037 | |a 5500289 |b Proquest Ebook Central | ||
| 042 | |a pcc | ||
| 050 | 1 | 4 | |a ML3845 |b .H353 2018 |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 082 | 0 | 0 | |a 781.1 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Hatten, Robert S., |e author. | |
| 245 | 1 | 2 | |a A theory of virtual agency for Western art music / |c Robert S. Hatten. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2018] | |
| 300 | |a 1 online resource (x, 326 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Musical meaning and interpretation | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | |a Prelude: from gesture to virtual agency -- Foundations for a theory of agency -- Virtual environmental forces and gestural energies: actants as agential -- Virtual embodiment: from actants to virtual human agents -- Virtual identity and actorial continuity -- Interlude I: from embodiment to subjectivity -- Staging virtual subjectivity -- Virtual subjectivity and aesthetically warranted emotions -- Staging virtual narrative agency -- Performing agency -- An integrative agential interpretation of Chopin's Ballade in F minor, op. 52 -- Interlude II: hearing agency: a complex cognitive task -- Other perspectives on virtual agency -- Postlude. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on September 07, 2018). | |
| 520 | |a In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Agent (Philosophy) | |
| 650 | 0 | |a Act (Philosophy) | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Action (Philosophie) | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Act (Philosophy) |2 fast | |
| 650 | 7 | |a Agent (Philosophy) |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 758 | |i has work: |a A theory of virtual agency for Western art music (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGCwhpyxhB7QHxFyhjYbHP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Hatten, Robert S. |t Theory of virtual agency for Western art music. |d Bloomington : Indiana University Press, 2018 |z 9780253037978 |w (DLC) 2018021852 |
| 830 | 0 | |a Musical meaning and interpretation. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5500289 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5500289 | ||
| 938 | |a EBSCOhost |b EBSC |n 1878770 | ||
| 938 | |a Project MUSE |b MUSE |n muse70235 | ||
| 938 | |a Recorded Books, LLC |b RECE |n rbeEB00776974 | ||
| 938 | |a YBP Library Services |b YANK |n 15682205 | ||
| 994 | |a 92 |b IZTAP | ||