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Magic and memory in Giordano Bruno : the art of a heroic spirit /

In Magic and Memory in Giordano Bruno Manuel Mertens unravels the enigmatic knot between the mnemonic treatises and the magical writings of the sixteenth-century Italian philosopher Giordano Bruno. Since long the magical orientation of the Brunian art of memory has been a preoccupation for Bruno sch...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mertens, Manuel (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Boston : Brill, 2018.
Colección:Brill's Studies in Intellectual History Ser.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Magic and memory in Giordano Bruno :  |b the art of a heroic spirit /  |c by Manuel Mertens. 
263 |a 1807 
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490 1 |a Brill's Studies in Intellectual History Ser. 
504 |a Includes bibliographical references and index. 
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505 0 |a Intro; Contents; Preface; Acknowledgements; Chapter 1 Magic and Memory in Giordano Bruno: Towards a More Encompassing Perspective; 1.1 Changing Perspectives on Magic and Memory; 1.1.1 The Blind Spot in Tocco's Perspective; 1.1.2 The Focus in Yates's Perspective; 1.1.3 Rita Sturlese's Interpretation of Bruno's memoria verborum; 1.1.4 Post-Sturlesian Interpretations; 1.1.5 Conclusion; 1.2 Towards a Broader Perspective; Chapter 2 Special Features of Magical and Mnemonic Writings in the Sixteenth Century; 2.1 Masked on the Literary Stage? 
505 8 |a 2.2 The Contradictions in the Mnemonic Works in View of Bruno's Conception of Magic2.2.1 Magic and Censorship: Prints and Manuscripts; 2.2.2 Bruno's Reading, Writing, and Reception in Relation to Censorship; 2.2.3 Bruno's Conception of Magic; 2.2.4 Out of the Impasse; 2.3 Writing on Memory: Cryptic Publications and Oral Teaching; 2.3.1 The Art of Memory in an Age of Printing; 2.3.2 Lambert Thomas Schenkel: Life and Career; 2.3.3 Schenkel's Mnemonics, Suspected of Magic; 2.3.4 Cryptic Writings on the Art of Memory; 2.3.5 Writing Strategy in Bruno's Mnemonic Treatises; 2.4 Conclusion. 
505 8 |a Chapter 3 The Concept of Similitudo3.1 Similitudo from Foucault to Sturlese; 3.2 In Search of a Definition of Similitudo; 3.2.1 Similitudo as an External Conformity?; 3.2.2 "A qualification of similitudo should be pointed out"; 3.3 The Function of Similitudo; 3.3.1 "An almost divine invention"; 3.3.2 A More Contracted and a More General Form of the Art; 3.3.3 The Banner; 3.3.4 Laws of Psychic Association; 3.3.5 "By a certain magical power similars are attracted through similars"; 3.4 The Aim Expressed by Similitudo; 3.4.1 The God's-Eye View; 3.4.2 The Magical Writings. 
505 8 |a Chapter 4 A Spirit-Regulating Art4.1 Spirits in the Ventricles; 4.1.1 Ventricles in the Brain; 4.1.2 Personal and Universal Spirit; 4.2 An Internal Art and Its Inner Tool; 4.2.1 "An art of this kind inhabits the essence itself of the whole soul"; 4.2.2 The Inner Tool, or Scrutinium, and Its Five Actions; 4.3 The Map of the Mind; 4.4 Belief and Deceit; 4.5 Deceiving Demons in the Early Mnemonic Treatises; 4.5.1 De umbris idearum/Ars memoriae; 4.5.2 Cantus Circaeus; Conclusion; Bibliographical Note; Major Editions; Bruno's Works Used in this Book; Historical Documents. 
505 8 |a English Translations Used in this BookBibliography; Index of Modern Authors; Index of Subjects and Names. 
520 |a In Magic and Memory in Giordano Bruno Manuel Mertens unravels the enigmatic knot between the mnemonic treatises and the magical writings of the sixteenth-century Italian philosopher Giordano Bruno. Since long the magical orientation of the Brunian art of memory has been a preoccupation for Bruno scholars (like Paolo Rossi, Frances Yates and Rita Sturlese). This serious study of the philosophical underpinnings of both Bruno's mnemonic treatises and his writings on magic shows that Bruno believed his mnemonic method could prevent demons from corrupting the cognitive process. Mertens's focus on Bruno's idea of deification through memory and the philosopher's view on fiery heroic spirits points to a surprisingly literal reading of the heretic's last words. 
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600 1 0 |a Bruno, Giordano,  |d 1548-1600. 
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650 0 |a Magic. 
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