|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
EBOOKCENTRAL_on1035515713 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr |||||||nn|n |
008 |
100408s2017 cc ob 000 0 eng d |
040 |
|
|
|a P@U
|b eng
|e pn
|c P@U
|d YDX
|d JSTOR
|d EBLCP
|d N$T
|d OCLCF
|d MERUC
|d EZ9
|d IDB
|d OCLCO
|d IYU
|d OCLCA
|d INT
|d AU@
|d OCLCQ
|d OCLCO
|d CUY
|d ZCU
|d G3B
|d OCLCQ
|d OCLCO
|d IGB
|d STF
|d DKC
|d OCL
|d OCLCQ
|d OCLCO
|d MM9
|d OCLCQ
|d OCLCO
|d LUU
|d OCLCQ
|d OCLCO
|d OCLCL
|
019 |
|
|
|a 1020024898
|a 1020077183
|a 1022779345
|a 1023506157
|a 1024113226
|
020 |
|
|
|a 9789888390366
|q (electronic bk.)
|
020 |
|
|
|a 9888390368
|q (electronic bk.)
|
020 |
|
|
|z 9789622090743
|q (hbk.)
|
020 |
|
|
|z 9622090745
|q (hbk.)
|
020 |
|
|
|z 9789888139224
|
020 |
|
|
|z 9888139223
|
035 |
|
|
|a (OCoLC)1035515713
|z (OCoLC)1020024898
|z (OCoLC)1020077183
|z (OCoLC)1022779345
|z (OCoLC)1023506157
|z (OCoLC)1024113226
|
037 |
|
|
|a 22573/ctt1zpztgj
|b JSTOR
|
043 |
|
|
|a a-ch---
|
050 |
|
4 |
|a PN1998.3.H687
|b U33 2017eb
|
072 |
|
7 |
|a PER
|x 009000
|2 bisacsh
|
082 |
0 |
4 |
|a 791.430233092
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Udden, James.
|
245 |
1 |
0 |
|a No man an island :
|b the cinema of Hou Hsiao-Hsien /
|c James Udden.
|
250 |
|
|
|a Second edition.
|
260 |
|
|
|a Hong Kong :
|b Hong Kong University Press,
|c ©2017.
|
300 |
|
|
|a 1 online resource (xiii, 241 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references.
|
520 |
8 |
|
|a This is a book-length study of Hou Hsiao-Hsien, Taiwan's famous director of movies such as 'The Puppetmaster', 'City of Sadness', 'Flowers of Shanghai', and 'Goodbye South, Goodbye'. His body of work reflects a unique film style chracterized by intricate lighting, improvisational acting, and long, static shots.
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Contents -- Acknowledgements -- Introduction -- The Problem of Hou Hsiao-hsien -- 1 -- Hou and the Taiwanese Experience -- 2 -- Hou and the Taiwanese New Cinema -- 3 -- History in Its Place: City of Sadness (1989) and The Puppetmaster (1993) -- Conclusion -- Hou in the New Millennium -- Notes -- Bilingual Filmography & Glossary -- Selected Bibliography -- Index
|
590 |
|
|
|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
600 |
1 |
0 |
|a Hou, Xiaoxian,
|d 1947-
|x Criticism and interpretation.
|
600 |
1 |
7 |
|a Hou, Xiaoxian,
|d 1947-
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJf4gKYCkvg6p7TXjc7mBP
|
650 |
|
0 |
|a Motion picture producers and directors
|z Taiwan.
|
650 |
|
6 |
|a Producteurs et réalisateurs de cinéma
|z Taiwan.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a Motion picture producers and directors
|2 fast
|
651 |
|
7 |
|a Taiwan
|2 fast
|
653 |
|
0 |
|a Hou, Xiaoxian
|a Criticism and interpretation
|
653 |
|
0 |
|a Motion picture producers and directors
|a Taiwan
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
758 |
|
|
|i has work:
|a No man an island (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFRTgtCChwhkYbwTGMjkCP
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Udden, James.
|t No man an island.
|b Second edition.
|d Hong Kong : Hong Kong University Press, [2017]
|z 9888139223
|w (OCoLC)1014109170
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5218543
|z Texto completo
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL5218543
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1687337
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse66242
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 15096691
|
994 |
|
|
|a 92
|b IZTAP
|