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Late Gothic painting in the Crown of Aragon and the Hispanic kingdoms /

This book aims to analyze the genesis and evolution of late Gothic painting in the Crown of Aragon and the rest of the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century. The authors consider the influence of the Flemis...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Velasco Gonzàlez, Alberto (Editor ), Fité i Llevot, Francesc (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Leiden ; Boston : Brill, 2018.
Colección:Art and material culture in Medieval and Renaissance Europe, volume 11
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Late Gothic painting in the Crown of Aragon and the Hispanic kingdoms /  |c edited by Alberto Velasco, Francesc Fité. 
263 |a 1806 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c 2018. 
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490 0 |a Art and material culture in Medieval and Renaissance Europe,  |x 2212-4187 ;  |v volume 11 
546 |a In English and French. 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record and CIP data provided by publisher; resource not viewed. 
505 0 |a Intro; Contents; Avant-propos; Peinture du tardo-gothique catalan. Notes et suggestions; List of Figures; List of Contributors; Introduction: Late Gothic Painting in the Crown of Aragon and the Hispanic Kingdoms; Alberto Velasco and Francesc Fité; Part 1; Introductory Papers; Chapter 1; L'obra de Flandes dans les territoires de la couronne d'Aragon. Marché et importations artistiques entre 1450 et 1500; Francesca Español; Chapter 2; Some Questions About the Flemish Model in Aragonese Painting (1440-1500); Alberto Velasco; Chapter 3 
505 8 |a Bartolomé Bermejo and the Painting Business in the Crown of AragonJudith Berg Sobré; Chapter 4; Late Gothic Painting in Majorca; Tina Sabater; Chapter 5; Valencia and Late Gothic Painting; Ximo Company; Chapter 6; Les primitifs flamands et leur "réception" dans la peinture castillane de la fin du Moyen Âge; Didier Martens; Chapter 7; On Hispano-Flemish Painting in the Kingdom of Castile; Pilar Silva Maroto; Part 2; Contributions; Chapter 8; Bermejo in Daroca; Fernando Marías; Chapter 9 
505 8 |a St. John the Baptist: A Work by the Juan de la Abadía Workshop at the Museu Nacional d'Art de Catalunya (Barcelona)Montserrat Jardí; Chapter 10; The Sales of Art Works from the Monastery of Sijena (Huesca) During the Twentieth Century; Carmen Berlabé; Chapter 11; Late-Gothic Mural Painting at the Beginning of the Renaissance in the Aran Valley: Unha and Arties; Albert Sierra; Chapter 12; Identifying the Hand Involved in a Man of Sorrows Produced in the Workshop of the Artés Master; Nicola Jennings and Isidro Puig; Chapter 13 
505 8 |a Valencian Late-Gothic PaintingDocuments. Contributions of the Centre d'InvestigacióMedieval i ModernaXimo Company, Joan Aliaga, Lluïsa Tolosa, Isidre Puig, Núria Ramón, Stefania Rusconi, Antonia Argelich; Chapter 14; Liturgy as Visual Argument. Monastic Churches and Retrochoirs in Donor Imagery by the Master of Sopetrán (Prado Museum); Eduardo Carrero Santamaría; Chapter 15; A Resurrection by the Master of Portillo. Underlying Drawings; Isidro Puig Sanchis and Marc Ballesté Escorihuela; Chapter 16; Late Gothic Mural Paintings in the Monastery of San Isidoro del Campo, Seville 
505 8 |a Pedro José Respaldiza LamaBibliography; Index 
520 |a This book aims to analyze the genesis and evolution of late Gothic painting in the Crown of Aragon and the rest of the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century. The authors consider the influence of the Flemish primitive movement on the art produced by their Spanish colleagues, the artistic relations and interchanges with the Netherlands and other countries, and the introduction and development of the Flemish language in the Spanish lands. The book also examines altarpieces, considering topics such as changes in shape and structure and liturgical links, along with offering stylistic analyses supported by new technologies. Contributors are Joan Aliaga, Maria Antonia Argelich, Marc Ballesté, Judith Berg Sobré, Carme Berlabé, Eduardo Carrero, Ximo Company, Francesca Español, Francesc Fité, Montserrat Jardí, Nicola Jennings, Fernando Marías, Didier Martens, Isidre Puig, Nuria Ramón, Pedro José Respaldiza, Stefania Rusconi, Tina Sabater, Albert Sierra, Pilar Silva, Lluïsa Tolosa, Alberto Velasco, and Joaquín Yarza (†). 
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