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m o d |
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180127s2018 xx o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d UKAHL
|d OCLCQ
|d VT2
|d OCLCO
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d REDDC
|d OCLCO
|d OCLCL
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|a 9781351784214
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|a 1351784218
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|a (OCoLC)1020622488
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|a PN1992.7
|b .L363 2018
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|a 808.2/25
|2 23
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| 049 |
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|a UAMI
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| 100 |
1 |
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|a Landau, Neil.
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| 245 |
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|a TV Writing On Demand :
|b Creating Great Content in the Digital Era.
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| 260 |
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|a Milton :
|b Taylor and Francis,
|c 2018.
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| 300 |
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|a 1 online resource (332 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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|a Print version record.
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|a Cover; Title; Copyright; Dedication; Contents; Introduction; Peak TV vs. Pique TV: The Streaming Smorgasbord; How to Navigate TV Writing On Demand; Part I Satisfying the Binge Viewer: New Genres, Formats and Trends; 1 Blurring the Lines: Redefining Genre and Tone in the Dramedy; How Did We Get Here?; Dramedies and Life on the Cringe; Female-Driven Dramedies; Youâ#x80;#x98;re the Worst: The Anti-Romantic Dramedy; Baskets and Lives in Disarray; Satire as the Weapon of Reason in Dear White People; I Love Dick: Exploring the â#x80;#x9C;Female Gazeâ#x80;#x9D;; Master of the Observational: Master of None.
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| 505 |
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|a Better Things: Philosophical VignettesLove and Death in Atlanta; Bonus Content: Further analysis on dramedies, including the rise of the genre, Catastrophe and Casual; 2 The Slow-Burn, Season-Long Procedural: From Murder One and Twin Peaks to The Night Of, Fargo, Search Party and More; The Season-Long Mystery; The Mystery Underlying the Crime: The Night Of; The Good Fight : The Procedural Within a Procedural; Search Party: Something From Nothing; Fargo Is a State of Mind; Truth and Consequences.
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| 505 |
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|a Bonus Content: American Crime, True Detective Season 1, Riverdale, Medici: Masters of Florence, Happy Valley, The Fall, Bloodline, The Expanse3 Trust Me: The Long Con On-Demandâ#x80;#x94;From The Riches to Sneaky Pete, Patriot, The Americans and More; The Masquerade: Sneaky Pete; The Period Political Masquerade: The Americans; Entrapment and Reversals: The Night Manager; All Is Not What It Seems: The Good Place; The Farce Thriller: Patriot; Ozark: Who Can a Con Artist Trust?; Bonus Content: The Path, Younger, Mr. Robot; 4 Dystopias, Multiverses and Magic Realism.
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|a The Constructive/Destructive Power of Ideas: The Handmaidâ#x80;#x99;s TaleOur World with a Cautionary Twist; Crafting the Supernatural/Dystopian Pilot; Microcosmic Dystopias and the Monster Mash: American Gods; Portals and Multiverses: Childlike Wonder in Stranger Things; Surprise and Shifting POV: The OA; Adjoining Realms in The Man in the High Castle; Bonus Content: Atlanta, Man Seeking Woman, The Good Place, Game of Thrones, The Young Pope, plus â#x80;#x9C;The Neurotic Superheroâ#x80;#x9D;; 5 Story Tentacles: Making Surprising Choices That Yield More Story; Inevitable Yet Unpredictable.
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|a Keep Your Frenemies Close: Orange Is the New BlackYou Canâ#x80;#x99;t Always Get What You Want ... Mozart in the Jungle; A Window Onto a New World: Switched at Birth; Taboo Relationships in Comedies; Points of View: The Affair; Ensembles and Backstories; When a Flaw Becomes an Asset: Girls; The Macro/Micro Approach: The Young Pope; Game of Thrones: The Ultimate Story Tentacle Show?; The Unreliable Narrator; Bonus Content: Breaking Bad, Scandal, Mad Men, Taxi, plus the Switched at Birth pilot teaser; 6 Spotlight on a Rebel: Ryan Murphy Reinvents the Mini-Series by Embracing His Inner Outsider.
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| 505 |
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|a Why Canâ#x80;#x99;t I Be Audrey Hepburn?
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 650 |
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0 |
|a Television authorship.
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| 650 |
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0 |
|a Interactive television.
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| 650 |
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|a Video-on-demand.
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| 650 |
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|a Television
|x Technological innovations.
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| 650 |
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|a Convergence (Telecommunication)
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| 650 |
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6 |
|a Télévision
|x Art d'écrire.
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| 650 |
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6 |
|a Télévision interactive.
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| 650 |
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6 |
|a Vidéo à la demande.
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| 650 |
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6 |
|a Télévision
|x Innovations.
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| 650 |
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6 |
|a Convergence (Télécommunications)
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| 650 |
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7 |
|a Convergence (Telecommunication)
|2 fast
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| 650 |
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7 |
|a Interactive television
|2 fast
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| 650 |
|
7 |
|a Television authorship
|2 fast
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| 650 |
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7 |
|a Television
|x Technological innovations
|2 fast
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| 650 |
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7 |
|a Video-on-demand
|2 fast
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| 758 |
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|i has work:
|a TV writing on demand (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGB3GycYykPcTQJbYJJ7HC
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
| 776 |
0 |
8 |
|i Print version:
|a Landau, Neil.
|t TV Writing On Demand : Creating Great Content in the Digital Era.
|d Milton : Taylor and Francis, ©2018
|z 9781138705692
|
| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5228981
|z Texto completo
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| 938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH33040441
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| 938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH33040442
|
| 938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5228981
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| 994 |
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|a 92
|b IZTAP
|
