Political theory and film : from Adorno to Žižek /

Critically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Fraser, Ian, 1962- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Rowman & Littlefield International, [2018]
Temas:
Motion pictures > Political aspects.
Politics in motion pictures.
Aesthetics > Political aspects.
Politique au cinéma.
Cinéma > Aspect politique.
PERFORMING ARTS > Reference.
Aesthetics > Political aspects
Motion pictures > Political aspects
Politics in motion pictures
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction / 1. Theodor Adorno: Charlie Chaplins <span style="font-style:italic;">Monsieur Verdoux / 2. Walter Benjamin: Ken Loachs <span style="font-style:italic;">Land and Freedom / 3. Ernst Bloch: Woody Allens <span style="font-style:italic;">Midnight in Paris / 4. Gilles Deleuze: Kleber Mendona Filhos <span style="font-style:italic;">Neighbouring Sounds / 5. Alain Badiou: Jia Zhangkes <span style="font-style:italic;">A Touch of Sin / 6. Jacques Rancire: Gavin Hoods <span style="font-style:italic;">Rendition / 7. Julia Kristeva: David Finchers <span style="font-style:italic;">Fight Club / 8. Slavoj Žižek: JC Chandor's <span style="font-style:italic;">Margin Call / 9. Cinema and the Aesthetic Self

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