Political theory and film : from Adorno to Žižek /

Critically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Fraser, Ian, 1962- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Rowman & Littlefield International, [2018]
Temas:
Motion pictures > Political aspects.
Politics in motion pictures.
Aesthetics > Political aspects.
Politique au cinéma.
Cinéma > Aspect politique.
PERFORMING ARTS > Reference.
Aesthetics > Political aspects
Motion pictures > Political aspects
Politics in motion pictures
Acceso en línea:Texto completo

MARC

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245 0 0 |a Political theory and film :  |b from Adorno to Žižek /  |c [edited by] Ian Fraser. 
264 1 |a London :  |b Rowman & Littlefield International,  |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed February 13, 2018) 
504 |a Includes bibliographical references and index. 
520 |a Critically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict. 
505 0 |a Introduction / 1. Theodor Adorno: Charlie Chaplins <span style="font-style:italic;">Monsieur Verdoux / 2. Walter Benjamin: Ken Loachs <span style="font-style:italic;">Land and Freedom / 3. Ernst Bloch: Woody Allens <span style="font-style:italic;">Midnight in Paris / 4. Gilles Deleuze: Kleber Mendona Filhos <span style="font-style:italic;">Neighbouring Sounds / 5. Alain Badiou: Jia Zhangkes <span style="font-style:italic;">A Touch of Sin / 6. Jacques Rancire: Gavin Hoods <span style="font-style:italic;">Rendition / 7. Julia Kristeva: David Finchers <span style="font-style:italic;">Fight Club / 8. Slavoj Žižek: JC Chandor's <span style="font-style:italic;">Margin Call / 9. Cinema and the Aesthetic Self 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Motion pictures  |x Political aspects. 
650 0 |a Politics in motion pictures. 
650 0 |a Aesthetics  |x Political aspects. 
650 6 |a Politique au cinéma. 
650 6 |a Cinéma  |x Aspect politique. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a Aesthetics  |x Political aspects  |2 fast 
650 7 |a Motion pictures  |x Political aspects  |2 fast 
650 7 |a Politics in motion pictures  |2 fast 
700 1 |a Fraser, Ian,  |d 1962-  |e editor.  |1 https://id.oclc.org/worldcat/entity/E39PBJgXgWJwxYQ7YrmwfYDpfq 
758 |i has work:  |a Political theory and film (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCG6mYC7kPkyP8MKHDKVYdP  |4 https://id.oclc.org/worldcat/ontology/hasWork 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5231051  |z Texto completo 
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938 |a EBSCOhost  |b EBSC  |n 1696841 
938 |a YBP Library Services  |b YANK  |n 15116556 
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