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|a Making music, making society /
|c edited by Josep Martí and Sara Revilla Gútiez.
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|a Newcastle upon Tyne, UK :
|b Cambridge Scholars Publishing,
|c 2018.
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|a 1 online resource (vi, 278 pages) :
|b illustrations, maps
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|a Includes bibliographical references.
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|a Intro; Table of Contents; Acknowledgements; Introduction; Part I: Some Theoretical Incursions; Chapter One; Chapter Two; Part II: Representing People through Music; Chapter Three; Chapter Four; Part III: Music and Social Order; Chapter Five; Chapter Six; Part IV: Music as Exchange; Chapter Seven; Chapter Eight; Part V: Applying Knowledge; Chapter Nine; Chapter Ten; Contributors
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|a A society is the result of interacting individuals, and individuals are also the result of this interaction. This interaction happens through music, among other factors. As such, music constitutes a powerful resource for symbolic interaction, which constitutes the medium and substance of a culture. The importance of music in a society is clearly brought to light in the role that it plays in the three basic parameters of the social logics: identity, social order and the need for exchange. If music is so important to us, it is because, apart from its assigned aesthetic values, it fits closely wi.
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|a Music
|x Social aspects.
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|a Musique
|x Aspect social.
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|a Society & culture: general.
|2 bicssc
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|a Theory of music & musicology.
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|a Anthropology.
|2 bicssc
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
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|a SOCIAL SCIENCE
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|a Music
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|a Martí, Josep,
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|a Revilla Gútiez, Sara,
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|i Print version:
|t Making music, making society.
|d Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2018
|z 1527503690
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