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|a 709.041
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|a UAMI
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|a Slevin, Tom,
|e author.
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|a Visions of the human :
|b art, World War I and the modernist subject /
|c Tom Slevin.
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|a World War One, and the modernist subject
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|a World War 1, and the modernist subject
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|a London :
|b I.B. Tauris,
|c 2015.
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|c ©2015
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|a 1 online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a ILMCA ;
|v 22
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|a List of Illustrations Introduction [4319] 6Chapter One: New Visions of the Human [24974]Introduction 21Vision and Knowledge 26Cultural Encoding 33The 'Crisis of the Subject' 43Cubist Perceptions 50The Bionomic of Body and Environment 71Cubism, Phenomena and Intersubjectivity 77Chapter Two: The Simultaneous Subject [20862] Introduction 90Colour, Form, and Memory 99Simultaneous Materiality 104La Prose du Transsibérien 110Vision and the Fourth Dimension 113La Robe Simultanée 130Chapter Three: Rationalised Existence [16555]Introduction: Cubism After the War 142The Cubist Rhizome 145The European Avant-Garde 152Oskar Schlemmer and Rationalised Cubism 155Schlemmer's Bodies 161Man in Space 168The Figure of Reactionary Modernism 174The Monumental Body 185 Chapter Four: Modernity's Vitruvian Bodies [9638]Introduction: Vitruvian Men 190Rudolph Laban's Icosahedron 197The Kinesphere 203Cybernetic Bodies 209Le Corbusier, the Body, and the 'Mass Ornament' 215The Geometry of Utopia 220Le Modulor 235Conclusion: From n-Dimensional Imagination to One Dimensional Man [9294] 239[Total approx. 85000 words - exc. Bibliography & endnotes] Endnotes 264Bibliography 289.
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|a Human figure in art.
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| 650 |
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|w (OCoLC)909250430
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|a International library of modern and contemporary art ;
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