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Shakespeare's Sense of Character : On the Page and From the Stage.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Taylor and Francis,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover Page; Title Page; Copyright Page; Dedication; Contents; List of Illustrations; Notes on Contributors; Acknowledgements; Introduction; Part 1 Shakespearean Persons; 1 How Dark Was It in That Room? Performing a Scene Shakespeare Never Wrote; 2 Shakespearean Characters and Early Modern Subjectivity: The Case of King Lear; 3 What Makes Someone a Character in Shakespeare?; 4 Wopsleâ#x80;#x99;s Revenge, or, Reading Hamlet as Character in Great Expectations; Part 2 Character in Action; 5 Historicizing Spontaneity: The Illusion of the First Time of â#x80;#x9C;The Illusion of the First Timeâ#x80;#x9D.
- 6 (Re:)Historicizing Spontaneity: Original Practices, Stanislavski, and Characterization7 Retracing Antonio: In Search of the Merchant of Venice; 8 Letting Unpleasantness Lie: Counter-Intuition and Character in The Merchant of Venice; 9 Iago: In Following Him I Follow But Myself; 10 â#x80;#x9C;I lay with Cassio latelyâ#x80;#x9D;: Iagoâ#x80;#x99;s Fantasy, the Actor and Audience Response to Othello in 3.3; Part 3 Beyond Naturalism: Then and Now; 11 Just Do It: Theory and Practice in Acting; 12 Playing Sodomites: Gender and Protean Character in As You Like It.
- 13 â#x80;#x9C;Stopsâ#x80;#x9D; in the Name of Love: Playing Typological Iago14 Henry Vâ#x80;#x99;s Character Conflict; Bibliography.