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|a 820.9355309034
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|a UAMI
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|a Garofalo, Daniela.
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|a Women, Love, and Commodity Culture in British Romanticism.
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|a London :
|b Taylor and Francis,
|c 2016.
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|a 1 online resource (174 pages)
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|a text
|b txt
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|a Cover; Half Title; Title Page; Copyright Page; Table of Contents; Acknowledgements; 1 The Unfair Sex; 2 â#x80;#x9C;The stock of loveâ#x80;#x9D;: Unending Desire in Womenâ#x80;#x99;s Periodicals and in Letitia Landonâ#x80;#x99;s Improvisatrice; 3 â#x80;#x9C;Take Thy Blissâ#x80;#x9D;: Surplus Enjoyment and Oothoonâ#x80;#x99;s Joy in Blakeâ#x80;#x99;s Visions of the Daughters of Albion; 4 Beyond Platonism: Byronâ#x80;#x99;s Don Juan and the Critique of Political Economy; 5 â#x80;#x9C;Give me that voice again â#x80;Œ Those looks immortalâ#x80;#x9D;: Gaze and Voice in Keatsâ#x80;#x99;s The Eve of St. Agnes; 6 Impossible Things: Scottâ#x80;#x99;s Ivanhoe and the Limits of Exchange.
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|a 7 Impossible Love and Commodity Culture in Emily Brontñâ#x80;#x99;s Wuthering HeightsWorks Cited.
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|a Offering a new understanding of canonical Romanticism, Daniela Garofalo suggests that representations of erotic love in the period have been largely misunderstood. Commonly understood as a means for transcending political and economic realities, love, for several canonical Romantic writers, offers, instead, a contestation of those realities. Garofalo argues that Romantic writers show that the desire for transcendence through love mimics the desire for commodity consumption and depends on the same dynamic of delayed fulfillment that was advocated by thinkers such as Adam Smith. As writers such as William Blake, Lord Byron, Sir Walter Scott, John Keats, and Emily Brontë engaged with the period's concern with political economy and the nature of desire, they challenged stereotypical representations of women either as self-denying consumers or as intemperate participants in the market economy. Instead, their works show the importance of women for understanding modern economics, with women's desire conceived as a force that not only undermines the political economy's emphasis on productivity, growth, and perpetual consumption, but also holds forth the possibility of alternatives to a system of capitalist exchange.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Capitalism and literature
|z Great Britain
|x History
|y 19th century.
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|a English literature
|y 19th century
|x History and criticism.
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|a Love in literature.
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|a Romanticism
|z Great Britain.
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|a Women in literature.
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|a Capitalisme et littérature
|z Grande-Bretagne
|x Histoire
|y 19e siècle.
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|a Littérature anglaise
|y 19e siècle
|x Histoire et critique.
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|a Amour dans la littérature.
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|a Romantisme
|z Grande-Bretagne.
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|a Femmes dans la littérature.
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|a Romanticism
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|a English literature
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|a Capitalism and literature
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|a Love in literature
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|a Women in literature
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|a Great Britain
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|1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP
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|a 1800-1899
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|a History
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|a Criticism, interpretation, etc.
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|i has work:
|a Women, love, and commodity culture in British romanticism (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGPwG64DwkcDjVKp8WvDtq
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Garofalo, Daniela.
|t Women, Love, and Commodity Culture in British Romanticism.
|d London : Taylor and Francis, ©2016
|z 9781409441014
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4414699
|z Texto completo
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