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Singing Ideas : Performance, Politics, and Oral Poetry.
Considered by many to be the greatest Irish song poet of her generation, MAire BhuI NI Laeire (Yellow Mary O'Leary; 1774'1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song.' As an or...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Berghahn Books, Incorporated,
2017.
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| Colección: | Dance and performance studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | EBOOKCENTRAL_on1017002364 | ||
| 003 | OCoLC | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Shíocháin, Tríona Ní. | |
| 245 | 1 | 0 | |a Singing Ideas : |b Performance, Politics, and Oral Poetry. |
| 260 | |a New York, NY : |b Berghahn Books, Incorporated, |c 2017. | ||
| 300 | |a 1 online resource (214 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Dance and Performance Studies ; |v v. 12 | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a List of Figures; Acknowledgements Chapter 1. Singing Ideas: An Alternative History of Thought; Chapter 2. 'Where Everything Trembles in the Balance': Song as a Liminal Ludic Space; Chapter 3. Singing Parrhesia: Máire Bhuí Ní Laeire, Song Performance and Politics in Nineteenth-Century Ireland Conclusion: Singing Ideas in Society: Experience, Song and 'Passing Through' Appendix of Songs and Lore Bibliography; Index. | |
| 520 | |a Considered by many to be the greatest Irish song poet of her generation, MAire BhuI NI Laeire (Yellow Mary O'Leary; 1774'1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song.' As an oral arts practitioner, MAire BhuI composed songs whose ecstatic, radical vision stirred her community to revolt and helped to shape nineteenth-century Irish anti-colonial thought. This provocative and richly theorized study explores the re-creative, liminal aspect of song, treating it as a performative social process that cuts to the very root of identity and thought formation, thus re-imagining the history of ideas in society. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Irish poetry. | |
| 650 | 0 | |a Ní Laoire, Máire Bhuí,-1774-1849. | |
| 650 | 0 | |a Oral tradition-Ireland. | |
| 650 | 0 | |a Singing-Ireland-Social aspects. | |
| 650 | 6 | |a Poésie irlandaise. | |
| 650 | 7 | |a MUSIC / Genres & Styles / Folk & Traditional. |2 bisacsh | |
| 650 | 7 | |a Irish poetry |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Shíocháin, Tríona Ní. |t Singing Ideas : Performance, Politics, and Oral Poetry. |d New York, NY : Berghahn Books, Incorporated, ©2017 |z 9781785337673 |
| 830 | 0 | |a Dance and performance studies. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5191397 |z Texto completo |
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