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The ethics of seeing : photography and twentieth-century German history /
Throughout Germany's tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seein...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Berghahn Books, Incorporated,
2018.
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| Colección: | Studies in German History Ser.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- List of Illustrations; Acknowledgements Introduction: Photography as an Ethics of Seeing; Jennifer Evans Chapter 1. Thoughts on Photography and the Practice of History; Elizabeth Edwards Chapter 2. Seeing the 'Savage' and the Suspension of Time: Photography, War and Concentration Camps in South West Africa, 1904-1908; Claudia Siebrecht Chapter 3. The "Face of War" in Weimar Visual Culture; Annelie Ramsbrock Chapter 4. Documenting Heimkehr : Photography, Displacement and "Homecoming" in the Nazi Resettlement of Ethnic Germans, 1939-1940; Elizabeth Harvey Chapter 5. Visible Trophies of War: German Occupiers' Photographic Perceptions of France, 1940-44; Julia Torrie Chapter 6. Gazing at Ruins: German Defeat as Visual Experience; Stefan-Ludwig Hoffmann Chapter 7. Edmund Kesting's Polyphonic Portraits and the Abstract Face of the Socialist Self in East Germany; Sarah E. James Chapter 8. Seeing Subjectivity: Erotic Photography and the Optics of Desire; Jennifer Evans Chapter 9. Photographing Reurbanization in West Berlin, 1977-84; Anna Ross Chapter 10. The Diversification of East Germany's Visual Culture; Candice M. Hamelin Chapter 11. The Intimacy of Revolution: 1989 in Pictures; Paul Betts Epilogue: Hope Flies, Death Dances: Moving Toward an Ethics of Seeing; Julia Adeney Thomas Index.