Contemporary Choreography : a Critical Reader /

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"Fully revised and updated, this second edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into the creative process, and innovative challenges to traditional understandings of dance making. Contributions from a global range of practi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Butterworth, Jo (Editor ), Wildschut, Liesbeth (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Taylor and Francis, 2017.
Edición:Second edition.
Temas:
Choreography.
Chorégraphie.
Choreography
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Chapter General introduction: studying contemporary choreography / JO BUTTERWORTH
  • chapter Section introduction
  • chapter 1 Knowing through dance-making: choreography, practical knowledge and practice-as-research / ANNA PAKES
  • chapter 2 Expert-intuitive and deliberative processes: struggles in (the wording of ) creative decision-making in 'dance' / SUSAN MELROSE
  • chapter 3 'Throwing like a girl'? Gender in a transnational world / SUSAN LEIGH FOSTER
  • chapter 4 Choreography that poses problems / BOJANA CVEJIC´
  • chapter 5 Choreography as research: iteration, object, context / BEN SPATZ
  • chapter Section introduction
  • chapter 6 Too many cooks? A framework for dance making and devising / JO BUTTERWORTH
  • chapter 7 Facilitating choreographic process / LARRY LAVENDER
  • chapter 8 Velvet Petal: getting lost / FLEUR DARKIN
  • chapter 9 Risk-taking and group dance improvisation / JOAO DA SILVA
  • chapter 10 Dancing strategies and moving identities: the contributions independent contemporary dancers make to the choreographic process / JENNY ROCHE
  • chapter 11 Jonathan Burrows' Postdance Conference keynote address, Stockholm 2015 / JONATHAN BURROWS
  • chapter Intervention / PEGGY OLISLAEGERS
  • chapter Section introduction
  • chapter 12 Dance dramaturgical agency / PIL HANSEN
  • chapter 13 The catalytic function of dramaturgy: working on actions in choreographic processes / KONSTANTINA GEORGELOU
  • chapter 14 Decentred dramaturgy: non-structural contexts in contemporary choreography
  • chapter Section introduction
  • chapter 15 Dancing around exclusion: an examination of the issues of social inclusion within choreographic practice in the community / SARA HOUSTON
  • chapter 16 Choreographic approaches in the community context / DIANE AMANS
  • chapter 17 Escola Livre de Danca da Mare in Rio de Janeiro: a ground to share / SILVIA SOTER
  • chapter 18 Experiencing space: some implications for site-specific dance performance / VICTORIA HUNTER
  • chapter 19 Whispering Birds: site-specific dance, affect and emotion / KAREN N. BARBOUR
  • chapter Section introduction
  • chapter 20 Principles of African choreography: some perspectives from Ghana / FRANCIS NII-YARTEY
  • chapter 21 The body as a site of power: an artistic case study on contemporary choreography in the Arab world / SANDRA NOETH AND SAMAR HADDAD KING
  • chapter 22 Beyond the intercultural to the accented body: an Australian perspective / CHERYL STOCK
  • chapter 23 Minority visibility and hip hop choreography: France 2015 / FELICIA MCCARREN
  • chapter 24 Sidi Larbi Cherkaoui and Akram Khan: intertwined journeys in-between dance cultures / GUY COOLS
  • chapter 25 Akram Khan on the politics of choreographing touch / ROYONA MITRA
  • chapter Section introduction
  • chapter 26 In search of Asian modernity: Cloud Gate Dance Theatre's body aesthetics in the era of globalisation / YA-PING CHEN
  • chapter 27 The body as the stage of abstract space: sculpting of spectatorship in Meg Stuart's choreography / JEROEN FABIUS
  • chapter 28 Hi, who are you? On choreography and the aged dancer / EFVA LILJA
  • chapter 29 Inclusive choreography: Lucy Bennett and Stopgap Dance Company / SHO SHIBATA
  • chapter Section introduction
  • chapter 30 Choreographic performance systems / JOHANNES BIRRINGER
  • chapter 31 Virtually touching: embodied engagement in telematic and virtual reality performance / SITA POPAT
  • chapter 32 How does motion capture mediate dance? / LAURA KARREMAN
  • chapter 33 Social media and choreographic practice: creative tools for collaboration, co-creation and creative practice / SOPHY SMITH.

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