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Contemporary Choreography : a Critical Reader /

"Fully revised and updated, this second edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into the creative process, and innovative challenges to traditional understandings of dance making. Contributions from a global range of practi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Butterworth, Jo (Editor ), Wildschut, Liesbeth (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Taylor and Francis, 2017.
Edición:Second edition.
Temas:
Acceso en línea:Texto completo

MARC

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520 2 |a "Fully revised and updated, this second edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into the creative process, and innovative challenges to traditional understandings of dance making. Contributions from a global range of practitioners and researchers address a spectrum of concerns in the field, organized into seven broad domains:Conceptual and philosophical concernsProcesses of makingDance dramaturgy: structures, relationships, contextsChoreographic environmentsCultural and intercultural contextsChallenging aestheticsChoreographic relationships with technology. Including 23 new chapters and 10 updated ones, Contemporary Choreography captures the essence and progress of choreography in the twenty-first century, supporting and encouraging rigorous thinking and research for future generations of dance practitioners and scholars."--Provided by publisher. 
505 0 0 |t Chapter General introduction: studying contemporary choreography /  |r JO BUTTERWORTH --  |t chapter Section introduction --  |t chapter 1 Knowing through dance-making: choreography, practical knowledge and practice-as-research /  |r ANNA PAKES --  |t chapter 2 Expert-intuitive and deliberative processes: struggles in (the wording of ) creative decision-making in 'dance' /  |r SUSAN MELROSE --  |t chapter 3 'Throwing like a girl'? Gender in a transnational world /  |r SUSAN LEIGH FOSTER --  |t chapter 4 Choreography that poses problems /  |r BOJANA CVEJIC´ --  |t chapter 5 Choreography as research: iteration, object, context /  |r BEN SPATZ --  |t chapter Section introduction --  |t chapter 6 Too many cooks? A framework for dance making and devising /  |r JO BUTTERWORTH --  |t chapter 7 Facilitating choreographic process /  |r LARRY LAVENDER --  |t chapter 8 Velvet Petal: getting lost /  |r FLEUR DARKIN --  |t chapter 9 Risk-taking and group dance improvisation /  |r JOAO DA SILVA --  |t chapter 10 Dancing strategies and moving identities: the contributions independent contemporary dancers make to the choreographic process /  |r JENNY ROCHE --  |t chapter 11 Jonathan Burrows' Postdance Conference keynote address, Stockholm 2015 /  |r JONATHAN BURROWS --  |t chapter Intervention /  |r PEGGY OLISLAEGERS --  |t chapter Section introduction --  |t chapter 12 Dance dramaturgical agency /  |r PIL HANSEN --  |t chapter 13 The catalytic function of dramaturgy: working on actions in choreographic processes /  |r KONSTANTINA GEORGELOU --  |t chapter 14 Decentred dramaturgy: non-structural contexts in contemporary choreography --  |t chapter Section introduction --  |t chapter 15 Dancing around exclusion: an examination of the issues of social inclusion within choreographic practice in the community /  |r SARA HOUSTON --  |t chapter 16 Choreographic approaches in the community context /  |r DIANE AMANS --  |t chapter 17 Escola Livre de Danca da Mare in Rio de Janeiro: a ground to share /  |r SILVIA SOTER --  |t chapter 18 Experiencing space: some implications for site-specific dance performance /  |r VICTORIA HUNTER --  |t chapter 19 Whispering Birds: site-specific dance, affect and emotion /  |r KAREN N. BARBOUR --  |t chapter Section introduction --  |t chapter 20 Principles of African choreography: some perspectives from Ghana /  |r FRANCIS NII-YARTEY --  |t chapter 21 The body as a site of power: an artistic case study on contemporary choreography in the Arab world /  |r SANDRA NOETH AND SAMAR HADDAD KING --  |t chapter 22 Beyond the intercultural to the accented body: an Australian perspective /  |r CHERYL STOCK --  |t chapter 23 Minority visibility and hip hop choreography: France 2015 /  |r FELICIA MCCARREN --  |t chapter 24 Sidi Larbi Cherkaoui and Akram Khan: intertwined journeys in-between dance cultures /  |r GUY COOLS --  |t chapter 25 Akram Khan on the politics of choreographing touch /  |r ROYONA MITRA --  |t chapter Section introduction --  |t chapter 26 In search of Asian modernity: Cloud Gate Dance Theatre's body aesthetics in the era of globalisation /  |r YA-PING CHEN --  |t chapter 27 The body as the stage of abstract space: sculpting of spectatorship in Meg Stuart's choreography /  |r JEROEN FABIUS --  |t chapter 28 Hi, who are you? On choreography and the aged dancer /  |r EFVA LILJA --  |t chapter 29 Inclusive choreography: Lucy Bennett and Stopgap Dance Company /  |r SHO SHIBATA --  |t chapter Section introduction --  |t chapter 30 Choreographic performance systems /  |r JOHANNES BIRRINGER --  |t chapter 31 Virtually touching: embodied engagement in telematic and virtual reality performance /  |r SITA POPAT --  |t chapter 32 How does motion capture mediate dance? /  |r LAURA KARREMAN --  |t chapter 33 Social media and choreographic practice: creative tools for collaboration, co-creation and creative practice /  |r SOPHY SMITH. 
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