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Ford Madox Ford's The good soldier /

For the centenary of Ford Madox Ford's The Good Soldier (1915), this volume originally re-examines some well-known issues surrounding the text and its "mad about writing" author: the Conrad-Ford friendship and literary collaboration; Modernist agenda(s) and Impressionist techniques; g...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Terzieva-Artemis, Rossitsa (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boton : Brill Rodopi, 2017.
Colección:Guft va gū ; 21.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 0 |t Front Matter --  |t Contents --  |t Introduction /  |r Rossitsa Terzieva-Artemis --  |t The Good Soldier: Tragic, Comic, Ironic /  |r Joseph Wiesenfarth --  |t Tory-Papists and Ford's The Good Soldier /  |r Timothy Sutton --  |t The Definition of Modernity in The Good Soldier /  |r Edward Lobb --  |t The Silences of Modernism in The Good Soldier /  |r Dean Bowers --  |t A Tale of Two Babies -- One Dead, the Other Powerless to Be Born: Ambivalent Beginnings in Ford Madox Ford's The Good Soldier /  |r Aimee L. Pozorski --  |t The Motive for Metaphor: The Words of a Sentimentalist in The Good Soldier /  |r J. Fitzpatrick Smith --  |t Rewriting Trauma: A Study of Ford Madox Ford's The Good Soldier as Modernist Chronicle /  |r Asunción López-Varela Azcárate --  |t "Nearly as Bright as in Provençe!": An Episode of Dowell's Narrative Passion /  |r Lucie Boukalova --  |t Not Just Another Perplexity /  |r Gabrielle Moyer --  |t "Like Chasing a Scrap of Paper": Hysterical Detection in The Good Soldier /  |r Allan Pero --  |t "Of the Question of the Sex-Instinct I Know Very Little": The Good Soldier and the Discourse of Indecency /  |r Chris Forster --  |t "A Family Romance": Oedipal Melancholia and Masochism in The Good Soldier /  |r Marc Ouellette. 
520 |a For the centenary of Ford Madox Ford's The Good Soldier (1915), this volume originally re-examines some well-known issues surrounding the text and its "mad about writing" author: the Conrad-Ford friendship and literary collaboration; Modernist agenda(s) and Impressionist techniques; genre innovations and philosophical questions. The dialogue between established and young Ford scholars produces a challenging kaleidoscope of insights into the work of this controversial English writer and his perennial novel. Contributors are: Asunción López-Varela Azcárate, Marc Ouellette, Lucie Boukalova, Allan Pero, Dean Bowers, Aimee L. Pozorski, Chris Forster, J. Fitzpatrick Smith, Edward Lobb, Timothy Sutton, Gabrielle Moyer, Joseph Wiesenfarth 
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