Music, modern culture, and the critical ear /

"In his 1985 book The Idea of Music: Schoenberg and Others, Peter Franklin set out a challenge for musicology: namely, how best to talk and write about the music of modern European culture that fell outside of the modernist mainstream typified by Schoenberg, Berg, and Webern? Thirty years on, t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Attfield, Nicholas William James, 1981- (Editor ), Winters, Ben, 1976- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Taylor and Francis, 2016.
Edición:First edition.
Temas:
1900-1999
Music > 20th century > History and criticism.
Music
Criticism, interpretation, etc.
Acceso en línea:Texto completo

MARC

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245 0 0 |a Music, modern culture, and the critical ear /  |c edited by Nicholas Attfield and Ben Winters. 
250 |a First edition. 
264 1 |a London :  |b Taylor and Francis,  |c 2016. 
300 |a 1 online resource (xviii, 288 pages) :  |b illustrations, photographs 
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520 2 |a "In his 1985 book The Idea of Music: Schoenberg and Others, Peter Franklin set out a challenge for musicology: namely, how best to talk and write about the music of modern European culture that fell outside of the modernist mainstream typified by Schoenberg, Berg, and Webern? Thirty years on, this collected volume of essays by Franklin's students and colleagues returns to that challenge and the vibrant intellectual field that has since developed. Moving freely between insights into opera, Volksoper, film, festival, and choral movement, and from the very earliest years of the twentieth century up to the 1980s, its authors listen with a 'critical ear': they site these musical phenomena within a wider web of modern cultural practices - a perspective, in turn, that enables them to exercise a disciplinary self-awareness after Franklin's manner."--Provided by publisher. 
505 0 0 |t Chapter Introduction /  |r N ICHOLAS AT TFIELD AND BEN WIN TERS --  |t part SECTION I Personal tributes --  |t chapter 1 Peter Franklin's guilty pleasures SUSA N McCLA RY --  |t chapter 2 From opera house to cinema: forging a new discipline in 1988 K ATE DAU BN EY --  |t part SECTION II Modernism and modernity --  |t chapter 3 Extraordinary listening (Mahler -- and Franklin) SHERRY LEE AND THOM AS PEAT TIE --  |t chapter 4 Korngold's Violanta: Venice, carnival, and the masking of identities /  |r BEN WIN TERS --  |t chapter 5 Erik Satie and the subject(s) of mobility JONATH A N HICKS --  |t part SECTION III Reconsidering interwar Germany --  |t chapter 6 'Ein Menschenherz geopfert -- oder viele!': Hans Ptzner and the idea of a Volksoper N ICHOLAS AT TFIELD --  |t chapter 7 The architecture of trauma: Richard Strauss, Salzburg, and the Great War M AT T HEW W ERLEY --  |t chapter 8 Cozarinsky's La Guerre d'un seul homme and musical categories: (Re)-framing Ptzner, Strauss, Schreker, and Schoenberg cinematically A LEX A N der BI N NS --  |t part SECTION IV Musicology and its values --  |t chapter 9 'Britten Minor': constructing the modernist canon /  |r CHRISTOPHER CHOW RIMOOTOO --  |t chapter 10 Elgar's part-song cycle, Op. 53: idealism and education A IDAN J. T HOMSON --  |t chapter 11 'It must be done fresh and new'-Bernard Herrmann's score for North by Northwest /  |r DAV ID COOPER --  |t chapter 12 Back from the dead: Kubrick, music, and the auteur /  |r CHRISTOPHER MORRIS. 
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650 0 |a Music  |y 20th century  |x History and criticism. 
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648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Attfield, Nicholas William James,  |d 1981-  |e editor. 
700 1 |a Winters, Ben,  |d 1976-  |e editor. 
758 |i has work:  |a Music, modern culture, and the critical ear (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGcgmqvmV3KGrBmDfrxwwd  |4 https://id.oclc.org/worldcat/ontology/hasWork 
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938 |a Taylor & Francis  |b TAFR  |n 9781315596891 
994 |a 92  |b IZTAP 

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