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|a UAMI
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1 |
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|a Taylor, Elinor.
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1 |
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|a The Popular Front Novel in Britain, 1934-1940.
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|a [Place of publication not identified] :
|b Brill Academic Publishers :
|b Brill,
|c 2017.
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|a 1 online resource
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|a text
|b txt
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|a computer
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|a online resource
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|a Â#x80;#x8E;Contents -- â#x80;#x8E;Acknowledgements -- â#x80;#x8E;Introduction -- â#x80;#x8E;The Popular Front -- â#x80;#x8E;Culture, Crisis and Democracy -- â#x80;#x8E;The Popular Front Novel -- â#x80;#x8E;Part 1. Realism and Modernism -- â#x80;#x8E;Chapter 1. Anti-Fascist Aesthetics in International Context -- â#x80;#x8E;Socialist Realism -- â#x80;#x8E;British Developments -- â#x80;#x8E;Language, Form and Popularity -- â#x80;#x8E;Ralph Foxâ#x80;#x99;s Realism -- â#x80;#x8E;Conclusion -- â#x80;#x8E;Chapter 2. John Sommerfield, May Day (1936) -- â#x80;#x8E;John Sommerfield: Literature and Activism -- â#x80;#x8E;Vox Populi and Birdâ#x80;#x99;s Eye -- â#x80;#x8E;Montage and Memory -- â#x80;#x8E;Myth and Tradition
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|a Â#x80;#x8E;Conclusionâ#x80;#x8E;Chapter 3. Arthur Calder-Marshall, Pie in the Sky (1937) -- â#x80;#x8E;Bathos and Narrative Convention -- â#x80;#x8E;Failures of Articulation -- â#x80;#x8E;Conclusion -- â#x80;#x8E;Part 2. History and the Historical Novel -- â#x80;#x8E;Chapter 4. History and the Historical Novel -- â#x80;#x8E;British Communists and English History -- â#x80;#x8E;The Historical Novel of the Popular Front -- â#x80;#x8E;Jack Lindsayâ#x80;#x99;s English Trilogy -- â#x80;#x8E;1649: A Novel of a Year (1938) -- â#x80;#x8E;Lost Birthright (1939) -- â#x80;#x8E;Men of Forty-Eight (1948) -- â#x80;#x8E;Conclusion -- â#x80;#x8E;Part 3. Class, Nation, People
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|a Â#x80;#x8E;Chapter 5. James Barke and the National Turnâ#x80;#x8E;The National Turn (I): British Questions -- â#x80;#x8E;The National Turn (II): Critical Voices -- â#x80;#x8E;â#x80;#x98;There is no Scottish National Questionâ#x80;#x99; -- â#x80;#x8E;James Barke, Major Operation (1936) -- â#x80;#x8E;James Barke, The Land of the Leal (1939) -- â#x80;#x8E;Conclusion -- â#x80;#x8E;Chapter 6. Lewis Jonesâ#x80;#x99;s Fiction -- â#x80;#x8E;Shame, Vision and Reification -- â#x80;#x8E;Forms and Modes -- â#x80;#x8E;Spain and Home -- â#x80;#x8E;Conclusion -- â#x80;#x8E;Conclusion -- â#x80;#x8E;References
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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0 |
|a British literature
|y 20th century
|x History and criticism.
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650 |
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6 |
|a Littérature britannique
|y 20e siècle
|x Histoire et critique.
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650 |
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|a British literature
|2 fast
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648 |
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|a 1900-1999
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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|i has work:
|a The popular front novel in Britain, 1934-1940 (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGRMRhdYPHGb6b9wTHgyJP
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Taylor, Elinor.
|t Popular Front Novel in Britain, 1934-1940.
|d [Place of publication not identified] : Brill Academic Publishers : Brill, 2017
|z 9789004316102
|z 9004316108
|w (OCoLC)1002127503
|
856 |
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0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5124243
|z Texto completo
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|a Askews and Holts Library Services
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