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Samuel Beckett, Repetition and Modern Music.
"Music abounds in twentieth- century Irish literature. Whether it be the "thought-tormented" music of Joyce's "The Dead", the folk tunes and opera that resound throughout Ulysses, or the four- part threnody in Beckett's Watt, it is clear that the influence of music...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Taylor and Francis,
2016.
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| Edición: | First edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Endorsement; Half title page; Title Page; Copyright Page; Dedication; Table of contents; Figures; Acknowledgements; Introduction; Notes; 1 Music and literature; A roaring start; Music and literature interaction; Music and the literary diegesis; Music as structural device in literature; The sounding of text; The growth of Word and Music Studies; Notes; 2 Repetition in music and literature; Repetition in music; Repetition in experimental music; Repetitions in literature; Notes; 3 Musico-literary interaction in modern Ireland and the musical aesthetic of Samuel Beckett.
- Music and metaphor in Beckettâ#x80;#x99;s early fictionNotes; 4 Beckettâ#x80;#x99;s semantic fluidity: Repetition in the later work; Beckettâ#x80;#x99;s later Schopenhauerian music; Close reading No. 1 from Ill Seen Ill Said; 1. Exact clothed repetitions; 2. Local musematic repetition; 3. Binary oppositional repetitions; 4. Discursive repetition recurring throughout Ill Seen Ill Said; Close reading no. 2 from Ill Seen Ill Said; Close reading from Worstward Ho; Conclusion; Notes; 5 Beckett and Feldman: Time, repetition and the liminal space; Neither; Neither, V2; Neither, V3; The nine-note interlocking texture.
- Words and MusicConclusion; Notes; 6 Improvising Beckett: Chance, silence and repetition; Lessness; Silence and indeterminacy; Beckettâ#x80;#x99;s Not I; Binary oppositions; Discursive repetitions; Notes; Conclusions; Notes; Bibliography; Websites; Discography.