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|a UAMI
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|a Asayesh, Maryam Ebadi.
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|a Patriarchy and Power in Magical Realism.
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|a Newcastle-upon-Tyne :
|b Cambridge Scholars Publishing,
|c 2017.
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|a 1 online resource (197 pages)
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|a text
|b txt
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|a Print version record.
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|a Table of Contents; Preface; Acknowledgments; Abbreviations; Introduction; Chapter One; Chapter Two; Chapter Three; Conclusions; Works Cited.
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|a Although the term magic(al) realism appeared in 1925 in pictorial art in Germany, it became well-known with the boom of magical realist fiction in Latin America in the 1960s. Since the 1980s, it has become one of the popular modes of writing worldwide. Due to its oxymoronic and hybrid nature, it has caught the attention of critics. Some have called it a postcolonial form of writing because of its prominence in postcolonial countries, while others have called it a postmodern mode because of the time of its emergence and the techniques applied in these kinds of novels. This book discusses how mag.
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|a Includes bibliographical references (pages 180-185).
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Magic realism (Literature)
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650 |
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|a Réalisme magique (Littérature)
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650 |
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|a Magic realism (Literature)
|2 fast
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776 |
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|i Print version:
|a Asayesh, Maryam Ebadi.
|t Patriarchy and Power in Magical Realism.
|d Newcastle-upon-Tyne : Cambridge Scholars Publishing, ©2017
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5061804
|z Texto completo
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