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Russia - Art Resistance and the Conservative-Authoritarian Zeitgeist /
"This book explores how artistic strategies of resistance have survived under the conservative-authoritarian regime which has been in place in Russia since 2012. It discusses the conditions under which artists work as the state spells out a new state cultural policy, aesthetics change and the s...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Taylor and Francis,
2017.
|
| Edición: | First edition. |
| Colección: | Routledge Contemporary Russia and Eastern Europe Series
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Jonson, Lena, |e editor. | |
| 245 | 1 | 0 | |a Russia - Art Resistance and the Conservative-Authoritarian Zeitgeist / |c editors, Erofeev, Andrei. |
| 250 | |a First edition. | ||
| 264 | 1 | |a London : |b Taylor and Francis, |c 2017. | |
| 300 | |a 1 online resource : |b text file, PDF | ||
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| 490 | 0 | |a Routledge Contemporary Russia and Eastern Europe Series | |
| 520 | 2 | |a "This book explores how artistic strategies of resistance have survived under the conservative-authoritarian regime which has been in place in Russia since 2012. It discusses the conditions under which artists work as the state spells out a new state cultural policy, aesthetics change and the state attempts to define what constitutes good taste. It examines the approaches artists are adopting to resist state oppression and to question the present system and attitudes to art. The book addresses a wide range of issues related to these themes, considers the work of individual artists and includes besides its focus on the visual arts also some discussion of contemporary theatre. The book is interdisciplinary: its authors include artists, art historians, theatre critics, historians, linguists, sociologists and political scientists from Russia, Europe and the United States."--Provided by publisher | |
| 505 | 0 | |a Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of contents -- Illustrations -- Notes on contributors -- Preface -- 1 Introduction -- The conservative-authoritarian policy turn and the dominant zeitgeist -- Aesthetics and the conservative gaze -- Art counterstrategies -- Structure of the book -- Notes -- References -- Part I The conservative zeitgeist and Russian cultural policy -- 2 The â#x80;#x98;Russian Worldâ#x80;#x99;: Genetically modified conservatism, or why â#x80;#x98;Russian cultureâ#x80;#x99; matters -- Russian culture as national idea | |
| 505 | 8 | |a Â#x80;#x98;Russian Worldâ#x80;#x99; and two conceptions of borderNotes -- References -- 3 The new conservative cultural policy and visual art -- The new conservative cultural policy -- Cultural policy and visual art -- Restructuring the art scene -- Exhibition policy and the introduction of new parameters for understanding art -- Conclusions -- Notes -- References -- 4 Neo-traditionalist fits with neo-liberal shifts in Russian cultural policy -- The moralist turn in its political context -- New public management of culture | |
| 505 | 8 | |a A commercial turn in the public sector and two parallel historiesPragmatic neo-traditionalism -- The making of moral capitalism -- Notes -- References -- 5 Daughterland: Contemporary Russian messianism and neo-conservative visuality -- Perestroika and the contemporary Russian conservative avant-garde -- Daughterland and neo-conservative symbolic politics -- Conclusions -- Notes -- References -- 6 Cultural policy and conservatism in Hungary: A parallel development -- Prehistory: the compromise between party and culture | |
| 505 | 8 | |a The renewal of the culture wars in HungaryOrbánâ#x80;#x99;s first government: the first acts of self-assertion -- The 1956 memorial: an open clash between modernists and conservatives -- Orbánism in power: the outsourcing of cultural policy -- The anti-liberal turn -- Memory wars -- Efforts at resistance -- Orbánism, art and the big money -- Conclusion: the 1960s all over again? -- Notes -- References -- Part II The state of affairs -- 7 Culture as the enemy: Contemporary Russian art under the authoritarian regime -- Concluding remarks -- References | |
| 505 | 8 | |a 8 Voices from the art scene: Interviews with Russian artists Andrei Kuzkin -- Irina Korina -- Roman Mokrov -- Pavel Peppershtein -- Anatolii Osmolovskii -- Oleg Kulik -- Viktoriya Lomasko -- Vikentii Nilin -- Pussy Riot/Nadya Tolokonnikova and Petr Verzilov -- Petr Pavlenskii -- Darya Serenko -- About the artists -- Notes -- Part III Artistic counterstrategies -- 9 Dissensus and â#x80;#x98;shimmeringâ#x80;#x99;: Tergiversation as politics -- Nonconformist politics, dissensus and shimmering -- The politics of shimmering in oppositional Russian art of the 2000sâ#x80;#x93;2010s | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
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| 650 | 0 | |a Arts |x Political aspects |z Russia (Federation) |x History |y 21st century. | |
| 650 | 0 | |a Art and state |z Russia (Federation) |x History |y 21st century. | |
| 651 | 0 | |a Russia (Federation) |x Intellectual life |y 1991- | |
| 651 | 0 | |a Russia (Federation) |x Politics and government |y 1991- | |
| 650 | 6 | |a Art |x Politique gouvernementale |z Russie |x Histoire |y 21e siècle. | |
| 651 | 6 | |a Russie |x Vie intellectuelle |y 1991- | |
| 650 | 6 | |a Arts |x Aspect politique |z Russie |x Histoire |y 21e siècle. | |
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| 700 | 1 | |a Erofeev, Andrei, |e editor. | |
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