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Interactive and sculptural printmaking in the Renaissance /

Suzanne Karr Schmidt's Interactive and Sculptural Printmaking in the Renaissance tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the Europ...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schmidt, Suzanne Kathleen Karr (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, [2017]
Colección:Brill's studies in intellectual history ; v. 270.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 21.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Interactive and sculptural printmaking in the Renaissance /  |c by Suzanne Karr Schmidt. 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c [2017] 
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490 1 |a Brill's studies in intellectual history,  |x 0920-8607 ;  |v volume 270 
490 1 |a Brill's studies on art, art history, and intellectual history ;  |v volume 21 
500 |a Based on the author's thesis (Yale University, 2006) under the title: Art. A user's guide : Interactive and sculptural printmaking in the Renaissance. 
504 |a Includes bibliographical references and index. 
520 |a Suzanne Karr Schmidt's Interactive and Sculptural Printmaking in the Renaissance tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions-part text, part image, and part sculpture-engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself. 
588 |a Description based on online resource; title from digital title page (viewed on November 03, 2021). 
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650 0 |a Prints, Renaissance  |x Themes, motives. 
650 0 |a Prints, European  |y 17th century  |x Themes, motives. 
650 0 |a Interactive prints  |z Europe. 
650 0 |a Art and society  |z Europe  |x History  |y 16th century. 
650 0 |a Art and society  |z Europe  |x History  |y 17th century. 
650 6 |a Estampe de la Renaissance  |x Thèmes, motifs. 
650 6 |a Estampe européenne  |y 17e siècle  |x Thèmes, motifs. 
650 6 |a Art et société  |z Europe  |x Histoire  |y 16e siècle. 
650 6 |a Art et société  |z Europe  |x Histoire  |y 17e siècle. 
650 7 |a Art and society  |2 fast 
650 7 |a Interactive prints  |2 fast 
650 7 |a Prints, European  |x Themes, motives  |2 fast 
651 7 |a Europe  |2 fast 
648 7 |a 1500-1699  |2 fast 
655 7 |a History  |2 fast 
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830 0 |a Brill's studies in intellectual history ;  |v v. 270. 
830 0 |a Brill's studies in intellectual history.  |p Brill's studies on art, art history, and intellectual history ;  |v v. 21. 
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