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EBOOKCENTRAL_on1004191796 |
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20240329122006.0 |
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170916s2016 ne o 000 0 eng d |
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|a EBLCP
|b eng
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|d OCLCF
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|d OCLCQ
|d OCLCO
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|a 9789004324558
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|a 9004324550
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|a AU@
|b 000068940903
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|a (OCoLC)1004191796
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|a NB1296.3.P78 2016
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|a 731.820937
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|a UAMI
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|a Prusac, Marina.
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|a From Face to Face :
|b Recarving of Roman Portraits and the Late-Antique Portrait Arts. Second, Revised Edition.
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|a 2nd ed.
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|a Leiden :
|b BRILL,
|c 2016.
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|a 1 online resource (381 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Monumenta Graeca et Romana Ser. ;
|v v. 18
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|a Print version record.
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|a Preface; Editorial note; Acknowledgments; List of diagrams and sketches; List of figures and photo credits; Introduction; The history of sculpture reuse and related problems; The Stand der Forschung of sculpture reuse; The identification of recarved sculpture; Organisation of the material; Terminology; Definitions of "style"; The function of recarved portraits; Chapter One; The reuse of sculpture and recarving portraits; Criteria for identification; Spolia and the recarving of portraiture ; The reuse of private sculpture; Relocated and discarded sculpture.
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|a Portrait heads in secondary contextsPagan sculptures in the early Christian period; The reuse of statuary in late-antique Constantinople; Marmora et ornamenta; The archetype of portraits ; Chapter Two; Statistical analyses; The relationship between new and recarved portraits; Test case within a defined geographical area; Chapter Three; The 1st-2nd centuries CE and the damnatio memoriae portraits; The significance of imperial portraiture; The damnatio memoriae portraits; Female portraits ; Chapter Four; The 3rd century CE; Economy and reuse.
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|a The styles of the recarved portraits from the 3rd century ceGallienus and a break with tradition; The soldier emperor portraits ; The philosopher portraits; A change in portrait function; Chapter Five; Late Antiquity and the emergence of new visual expressions; The Tetrarchic period; The Constantinian period ; Visual expression in the Constantinian period; From Valentinian I to Justinian I; Private recarved portraits in Late Antiquity; Chapter Six; Recarving methods; Marble and quarries; Workshops; Tools; From face to face ; Hairstyles; Facial features; Ears; Eyes.
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|a The lower facial features and the mouthTechniques; Chapter Seven; Classifications; The Bandit group; The Helmet group; The Ephesos-Tetrarch group; The Athens group; The Plotinus group; The Eutropius group; The Iamblichus group; From the Bandit group to the Eutropius group: a development of technique?; Chapter Eight; Social aspects; Imperial vs. private portraits; Gods and humans ; Recarvings across gender lines; Recarved female portraits ; Recarved portraits on sarcophagi; Norms ; Conclusions; Oblivion and reinvention; Summary; Map with portrait provenances.
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|a The Roman imperial succession until Justinian I Catalogue of recarved portraits; Introduction to the catalogue; Period 1; Male p ortraits; Imperial; Private; Female portraits ; Imperial; Private; Period 2; Male portraits; Imperial; Private; Female portraits; Imperial; Private; Period 3; Male portraits; Imperial; Private; Female portraits; Imperial; Private; Bibliography; Ancient sources; Modern sources; Index of museums and collections; Concordances; General index; Plates 1-155.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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0 |
|a Portrait sculpture, Roman.
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650 |
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|a Altered sculptures.
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650 |
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|a Sculpture de portraits romaine.
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650 |
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6 |
|a Sculptures transformées.
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650 |
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7 |
|a Altered sculptures
|2 fast
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650 |
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7 |
|a Portrait sculpture, Roman
|2 fast
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776 |
0 |
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|i Print version:
|a Prusac, Marina.
|t From Face to Face : Recarving of Roman Portraits and the Late-Antique Portrait Arts. Second, Revised Edition.
|d Leiden : BRILL, ©2016
|z 9789004321847
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830 |
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0 |
|a Monumenta Graeca et Romana Ser.
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856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5024424
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL5024424
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994 |
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|a 92
|b IZTAP
|