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Hong Kong Neo-Noir.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2016.
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| Colección: | Edinburgh Studies in East Asian Film Ser.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Figures
- Acknowledgements
- Notes on the Contributors
- Introduction: Hong Kong Neo-Noir
- Part One Seeds of Noir in Hong Kong Cinema
- Chapter 1 'A Rose by Any Other Name': Wong Tin-lam's The Wild, Wild Rose as Melodrama Musical Noir Hybrid
- Chapter 2 Black and Red: Post-War Hong Kong Noir and its Interrelation with Progressive Cinema, 1947-57
- Chapter 3 Sword, Fist or Gun? The 1970s Origins of Contemporary Hong Kong Noir
- Part Two Neo-Noir Films in Close-Up
- Chapter 4 Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir
- Chapter 5 Running on Karma: Hong Kong Noir and the Political Unconscious
- Chapter 6 Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema
- Chapter 7 Tech-Noir: A Sub-Genre May not Exist in Hong Kong Science Fiction Films
- Part Three Cosmopolitan Cityspace and Neo-Noir
- Chapter 8 Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene
- Chapter 9 Running Out of Time, Hard-Boiled and 24-Hour Cityspace
- Chapter 10 Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism
- Chapter 11 The Tentacles of History: Shinjuku Incident's Return of the Repressed
- Bibliography
- Filmography
- Index.