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Space and time in artistic practice and aesthetics : the legacy of Gotthold Ephraim Lessing /
When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. 'Space and Time in Artistic...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
I.B. Tauris & Co. Ltd.,
2017.
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| Colección: | International library of modern and contemporary art ;
23. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Space and time in artistic practice and aesthetics : |b the legacy of Gotthold Ephraim Lessing / |c edited by Sarah Lippert. |
| 264 | 1 | |a London : |b I.B. Tauris & Co. Ltd., |c 2017. | |
| 300 | |a 1 online resource (xv, 252 pages) | ||
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| 490 | 1 | |a International Library of Modern and Contemporary Art ; |v 23 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. 'Space and Time in Artistic Practice and Aesthetics' explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind? Or will conceptions of temporality, spatiality and artistic competition continue to unfold? This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction: the tenets of Lessing and his legacy -- 1. Drawing the line: gender, artistic theory and absolutism in Raoux's paintings and Lessing's words -- 2. Bridging space and time: Winckelmann's theory and its aftermath (1754-78) -- 3. Correcting Lessing's error: E.H. Toelken's Addendum to Loakoon, 1822 -- 4. The temporality of imitation in the work of Moreau and Gérôme -- 5. Painterly myopia and the main ingredient: flesh: a look at work of Soutine, Bacon, Dubuffet and de Kooning -- 6. Almost: Greeberg and Lessing -- 7. In the body's space and the body's time: feeling your way through Richard Serra's The Matter of Time -- 8. The art of becoming: the symbiosis of time, space and film in Pull my Daisy -- Conclusion: limit-imposing systems -- Bibliography -- Index. | |
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| 600 | 1 | 0 | |a Lessing, Gotthold Ephraim, |d 1729-1781. |
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| 650 | 0 | |a Authors, German |y 18th century |v Biography. | |
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| 700 | 1 | |a Lippert, Sarah J., |d 1975- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjBKy8KwwcGqTmpghhMqpK | |
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