Cargando…
William Kentridge /
Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, a...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Massachusetts :
The MIT Press,
[2017]
|
| Colección: | October files ;
21. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_on1002219571 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 170830s2017 mau ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d YDX |d JSTOR |d EBLCP |d OCL |d MERUC |d MITPR |d OCLCQ |d UKAHL |d OCLCQ |d K6U |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 020 | |a 9780262340014 |q (electronic bk.) | ||
| 020 | |a 0262340011 |q (electronic bk.) | ||
| 020 | |z 9780262036177 | ||
| 020 | |z 0262036177 | ||
| 020 | |z 9780262533454 | ||
| 020 | |z 0262533456 | ||
| 029 | 1 | |a AU@ |b 000062350287 | |
| 035 | |a (OCoLC)1002219571 | ||
| 037 | |a 22573/ctt1tsvbzd |b JSTOR | ||
| 037 | |a 11128 |b MIT Press | ||
| 037 | |a 9780262340014 |b MIT Press | ||
| 050 | 4 | |a N7396.K45 |b W55 2017eb | |
| 072 | 7 | |a ART |x 015000 |2 bisacsh | |
| 072 | 7 | |a ART016000 |2 bisacsh | |
| 072 | 7 | |a ART015110 |2 bisacsh | |
| 082 | 0 | 4 | |a 709.2 |2 23 |
| 049 | |a UAMI | ||
| 130 | 0 | |a William Kentridge (M.I.T. Press) | |
| 245 | 1 | 0 | |a William Kentridge / |c edited by Rosalind E. Krauss. |
| 264 | 1 | |a Cambridge, Massachusetts : |b The MIT Press, |c [2017] | |
| 300 | |a 1 online resource (xvi, 187 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a October files ; |v 21 | |
| 500 | |a Includes index. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Carolyn Christov-Bakargiev in conversation with William Kentridge (1999) / Carolyn Christov-Bakargiev and William Kentridge -- "Fortuna" : neither program nor chance in the making of Images (1993) / William Kentridge -- "The Rock" : William Kentridge's drawings for projection (2000) / Rosalind Krauss -- In praise of shadows : the neutral mask (2001) / William Kentridge -- The shadow play as medium of memory in William Kentridge (2013) / Andreas Huyssen -- The other side of the press (2012) / Rosalind Krauss -- Landscape in a site of siege (1988) / William Kentridge -- Drawing the line at a tree-search : the new landscapes of William Kentridge (2015) / Rosalind Morris -- Kentridge's nose (2010) / Maria Gough -- "Whichever page you open" : William Kentridge in New York (2014) / Joseph Leo Koerner and Margaret Koster Koener. | |
| 520 | |a Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works. The texts include an interview by the artist Carolyn Christov-Bakargiev, curator of the first major retrospective of Kentridge's work; an essay by Andreas Huyssen on the role of shadow-play in Kentridge's film series 9 Drawing for Projection; and investigations of Kentridge's work for opera and theater by Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner. An analysis by influential art historian Rosalind Krauss, the editor of this volume, argues that Kentridge's films are the result of a particularly reflexive drawing practice in which the marks on the page--particularly the smudges, smears, and erasures that characterize his stop-animations--define the act of drawing as a temporal medium. Krauss's understanding of Kentridge's work as embodying a fundamental tension between formal and sociological poles has been crucial to subsequent analyses of the artist's work, including the new essay by the anthropologist Rosalind Morris, who has collaborated with Kentridge on several projects"--The publisher | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Kentridge, William, |d 1955- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Kentridge, William, |d 1955- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJrGw7GKyQfbw686hBJv73 |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a ART |x Individual Artists |x General. |2 bisacsh | |
| 653 | |a ARTS/General | ||
| 653 | |a ARTS/Art History/Contemporary Art | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Krauss, Rosalind E., |e editor. | |
| 700 | 1 | |a Kentridge, William, |d 1955- |1 https://id.oclc.org/worldcat/entity/E39PBJrGw7GKyQfbw686hBJv73 | |
| 776 | 0 | 8 | |i Print version: |a William Kentridge (M.I.T. Press). |t William Kentridge. |d Cambridge, Massachusetts : The MIT Press, [2017] |z 9780262036177 |w (DLC) 2016039870 |w (OCoLC)957581488 |
| 830 | 0 | |a October files ; |v 21. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5014609 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37587326 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37519640 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL5014609 | ||
| 938 | |a EBSCOhost |b EBSC |n 1584600 | ||
| 938 | |a YBP Library Services |b YANK |n 14774031 | ||
| 994 | |a 92 |b IZTAP | ||