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Politics of Art : the Creation Society and the Practice of Theoretical Struggle in Revolutionary China.

In Politics of Art Zhiguang Yin investigates the political engagement and theoretical construction to ideological politics of the intellectuals from Creation Society in the1920s.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Yin, Zhiguang
Formato: Electrónico eBook
Idioma:Inglés
Publicado: BRILL, 2014.
Colección:Ideas, history, and modern China.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Acknowledgement; List of Tables; Introduction; Revolution Revisited; The Main Questions; Further Reflections; Chapter 1 Intellectual Social Circles and the Gestation of the Creation Society; Social Background of the Creation Society Members; Chinese Students' Lives in Japan; KMT Exiles in the Chinese Community in Japan; The Circle of Young China Association (YCA) and the Establishment of the Creation Society; Chapter 2 The Socio-political Context of Intellectuals' Self-Recognition; Social Thinking in Taishō Japan; Competition for Social and Cultural Capital in the Early Period.
  • Tension between Intellectuals and the Capital MarketAssuming a Proletarian Identity; Proletarian or Not?; Chapter 3 "Mission of Literature" and the Political Involvement of the Creation Society; "National Literature" and Its Problems; Becoming Revolutionary Writers: Political Influence of the KMT Guangzhou Government; Disillusioned Intellectuals after 1926; Revolutionary Literature: The Social History of a Concept; "Revolutionary Literature" under the Scope of Party Politics; Chapter 4 Struggle between Two Souls: Intellectuals' Theoretical Construction of Class Transformation.
  • Proletarian Class Consciousness"Proletarian Revolutionary Literature": A Reflexive Concept; Temporality and Historiography; Subjectivity; The Misinterpretation and Reinterpretation of "Aufheben"; The Formation of the "Battlefield of Ideology" and the Practise of "Aufheben"; Chapter 5 Theoretical Struggle: The Politics of Literature and Arts; The Dialectics of Theory and Practise; The Cultural Policy of the KMT from 1925-1931; Political Propaganda of the CCP, 1925-1930; Conclusion; Bibliography; Index.