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D.H. Lawrence and Narrative Viewpoint.
This book is a stylistic study of D.H. Lawrence''s presentation of narrative viewpoint. The focus is mainly on Lawrence''s third novel, Sons and Lovers, occupying a crucial position in his oeuvre and judged by critics to be his first mature piece. While sharing many features typi...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Publishing,
2011.
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| Colección: | Advances in stylistics.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Contents; Acknowledgements; Introduction; Chapter One: Narrative viewpoint: the theoretical debate; 1. Bakhtinian dialogicity; 2. Early accounts of free indirect style; 3. The dual voice hypothesis; 4. The single voice alternative; 5. Dual voice
- a fiction of language; 6. The problem of origin; 7. The French theory of enunciation; 8. Dual voice: trash, crash ... or dialogue?; 9. Where next?; Chapter Two: D.H. Lawrence and the novel; 1. Introduction; 2. Reading Lawrence through a Bakhtinian lens; 3. The novel for Lawrence and Bakhtin; 4. Choosing a text.
- Chapter Three: Naming characters1. Narratologists on reference to characters; 2. Calling the baby 'it'; 3. Linguistic findings on the semantic value of pronouns; 4. Naming and dialogue; Chapter Four: Connecting characters' viewpoints; 1. Connectives: a factor complicating perspective; 2. Connectives in studies of free indirect style; 3. Connectives: a problem in Lawrence; 4. An attempt to capture the functions of AND in a Lawrence short story; 5. The evidence from spoken discourse; 6. A conversational model for free indirect style; 7. Revisions of connectives: the evidence from manuscripts.
- 8. Connectives and the theories of free indirect styleChapter Five: Binding viewpoints through repetition; 1. Introduction; 2. Earlier treatments of repetition; 3. Lawrence criticism; 4. A text full of repetition; 5. Repetition through revision; 6. The findings of discourse analysis; 7. Repetition and the theory of free indirect style; Chapter Six: Situating dialogicity in the novel; 1. Charting stylistic change; 2. The position of Sons and Lovers in Lawrence's oeuvre; 3. The role of conjunction; 4. The role of repetition; 5. Thought presentation in The Trespasser; 6. The voice of the author.
- 7. Stylistic conclusions8. From style to metaphysic; Conclusion; Appendix; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; P; Q; R; S; T; U; V; W; Y; Z.