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D.H. Lawrence and Narrative Viewpoint.
This book is a stylistic study of D.H. Lawrence''s presentation of narrative viewpoint. The focus is mainly on Lawrence''s third novel, Sons and Lovers, occupying a crucial position in his oeuvre and judged by critics to be his first mature piece. While sharing many features typi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Publishing,
2011.
|
| Colección: | Advances in stylistics.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mu 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn994559184 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 141020s2011 enk o 000 0 eng d | ||
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| 019 | |a 893331098 | ||
| 020 | |a 1441131345 | ||
| 020 | |a 9781441131348 | ||
| 020 | |a 9781441123626 | ||
| 020 | |a 1441123628 | ||
| 029 | 1 | |a AU@ |b 000056022452 | |
| 035 | |a (OCoLC)994559184 |z (OCoLC)893331098 | ||
| 050 | 4 | |a PR6023.A93 Z91736 2012 | |
| 082 | 0 | 4 | |a 823/.912 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Sotirova, Violeta. | |
| 245 | 1 | 0 | |a D.H. Lawrence and Narrative Viewpoint. |
| 246 | 3 | |a Advances in Stylistics | |
| 260 | |a London : |b Bloomsbury Publishing, |c 2011. | ||
| 300 | |a 1 online resource (238 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Advances in Stylistics | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; Acknowledgements; Introduction; Chapter One: Narrative viewpoint: the theoretical debate; 1. Bakhtinian dialogicity; 2. Early accounts of free indirect style; 3. The dual voice hypothesis; 4. The single voice alternative; 5. Dual voice -- a fiction of language; 6. The problem of origin; 7. The French theory of enunciation; 8. Dual voice: trash, crash ... or dialogue?; 9. Where next?; Chapter Two: D.H. Lawrence and the novel; 1. Introduction; 2. Reading Lawrence through a Bakhtinian lens; 3. The novel for Lawrence and Bakhtin; 4. Choosing a text. | |
| 505 | 8 | |a Chapter Three: Naming characters1. Narratologists on reference to characters; 2. Calling the baby 'it'; 3. Linguistic findings on the semantic value of pronouns; 4. Naming and dialogue; Chapter Four: Connecting characters' viewpoints; 1. Connectives: a factor complicating perspective; 2. Connectives in studies of free indirect style; 3. Connectives: a problem in Lawrence; 4. An attempt to capture the functions of AND in a Lawrence short story; 5. The evidence from spoken discourse; 6. A conversational model for free indirect style; 7. Revisions of connectives: the evidence from manuscripts. | |
| 505 | 8 | |a 8. Connectives and the theories of free indirect styleChapter Five: Binding viewpoints through repetition; 1. Introduction; 2. Earlier treatments of repetition; 3. Lawrence criticism; 4. A text full of repetition; 5. Repetition through revision; 6. The findings of discourse analysis; 7. Repetition and the theory of free indirect style; Chapter Six: Situating dialogicity in the novel; 1. Charting stylistic change; 2. The position of Sons and Lovers in Lawrence's oeuvre; 3. The role of conjunction; 4. The role of repetition; 5. Thought presentation in The Trespasser; 6. The voice of the author. | |
| 505 | 8 | |a 7. Stylistic conclusions8. From style to metaphysic; Conclusion; Appendix; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; P; Q; R; S; T; U; V; W; Y; Z. | |
| 520 | |a This book is a stylistic study of D.H. Lawrence''s presentation of narrative viewpoint. The focus is mainly on Lawrence''s third novel, Sons and Lovers, occupying a crucial position in his oeuvre and judged by critics to be his first mature piece. While sharing many features typical of nineteenth-century novels, it marks the emergence of a new technique of writing consciousness that functioned as a precursor to the modernist practice of dialogic shifts across viewpoints. Through a detailed linguistic analysis, Sotirova shows that different characters'' viewpoints are not simply juxtaposed. | ||
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Lawrence, D. H. |q (David Herbert), |d 1885-1930 |x Literary style. |
| 600 | 1 | 0 | |a Lawrence, D. H. |q (David Herbert), |d 1885-1930 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Lawrence, D. H. |q (David Herbert), |d 1885-1930 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJx4jGGCPKFGVMpjW8gdwC |
| 650 | 4 | |a English. | |
| 650 | 4 | |a Languages & Literatures. | |
| 650 | 4 | |a English Literature. | |
| 650 | 7 | |a Literary style |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Sotirova, Violeta. |t D.H. Lawrence and Narrative Viewpoint. |d London : Bloomsbury Publishing, ©2011 |z 9781441131348 |
| 830 | 0 | |a Advances in stylistics. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1748696 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1748696 | ||
| 994 | |a 92 |b IZTAP | ||