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The narrative shape of truth : veridiction in modern European literature.
Its champions-and its detractors-have often understood the novel as the genre par excellence of truthlessness. The Narrative Shape of Truth counters this widely accepted view. It argues instead that the novel has found new, historically specific configurations of truth and narrative. The nineteenth-...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified]
Pennsylvania State University Press
2011.
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| Colección: | Literature and philosophy.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kliger, Ilya, |e author. | |
| 245 | 1 | 4 | |a The narrative shape of truth : |b veridiction in modern European literature. |
| 264 | 1 | |a [Place of publication not identified] |b Pennsylvania State University Press |c 2011. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Literature and philosophy | |
| 546 | |a English. | ||
| 520 | |a Its champions-and its detractors-have often understood the novel as the genre par excellence of truthlessness. The Narrative Shape of Truth counters this widely accepted view. It argues instead that the novel has found new, historically specific configurations of truth and narrative. The nineteenth-century novel, in particular, can be understood as responding to the emerging tendency to view truth as inseparable from, rather than opposed to, time. Ilya Kliger offers a nonreductive way of reading the histories of philosophy and the novel side by side. He identifies the crucial moment in the epistemological history of narrative when, at the end of the eighteenth century, a new structural affiliation between truth and time emerged. This book examines novels by four authors-Balzac, Stendhal, Dostoevsky, and Tolstoy-as well as the writings of leading European intellectuals and philosophers. Kliger argues that the "realist" novel can be conceived as prompting us (and giving us the means) to think of truth differently, as immanent in a temporal shape rather than transcendent in a principle, a fact, or a higher order | ||
| 505 | 0 | |a Introduction : The veridictory mutation of the novel -- Precipitant Knowledge in Balzac -- The Whole and the Untrue : Stendhal's Fragile Veridiction -- Enigma and Emplotment in Dostoevsky -- Tolstoy's Plotlines and Truth Shapes -- Conclusion : Enduring the schema in modernist time. | |
| 504 | |a Includes bibliographical references (pages [233]-241) and index. | ||
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| 650 | 0 | |a European fiction |x History and criticism. | |
| 650 | 0 | |a Truth in literature |x Philosophy. | |
| 650 | 0 | |a Fictions, Theory of. | |
| 650 | 0 | |a Literature. | |
| 650 | 0 | |a Narration (Rhetoric) | |
| 650 | 0 | |a Truth in literature. | |
| 650 | 2 | |a Literature | |
| 650 | 6 | |a Théorie de la fiction. | |
| 650 | 6 | |a Narration. | |
| 650 | 6 | |a Vérité dans la littérature. | |
| 650 | 6 | |a Roman européen |x Histoire et critique. | |
| 650 | 6 | |a Vérité dans la littérature |x Philosophie. | |
| 650 | 6 | |a Littérature. | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Literary. |2 bisacsh | |
| 650 | 7 | |a PHILOSOPHY |x Epistemology. |2 bisacsh | |
| 650 | 7 | |a Truth in literature |2 fast | |
| 650 | 7 | |a European fiction |2 fast | |
| 650 | 7 | |a Fictions, Theory of |2 fast | |
| 650 | 7 | |a Literature |2 fast | |
| 650 | 7 | |a Narration (Rhetoric) |2 fast | |
| 650 | 7 | |a Europeiska romaner |x historia. |2 sao | |
| 650 | 7 | |a Sanning |x i litteraturen. |2 sao | |
| 650 | 7 | |a Fiktionalism. |2 sao | |
| 650 | 7 | |a Narratologi. |2 sao | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a The narrative shape of truth (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGRYKkPBtW4Y8wt78CJ79C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| 830 | 0 | |a Literature and philosophy. | |
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